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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Nicholas Payton
Nick@Night
- Nicholas Payton - trumpet
59.00 PLN
CD:
Nr kat.: 5475982Label : Verve
AllMusic Review by Richard S. Ginell [-] By the last years of the 1990s, Nicholas Payton's trumpet-playing and leadership abilities were growing in leaps and bounds in live performance. However, the valedictory record of that decade displays growth only in the former and mostly caution in the latter, for Payton remains staunchly committed to the neo-bop verities and ceremonies. Part of the problem is that Payton's material -- he contributes ten of the 13 tracks -- is still not terribly memorable by and large, although he may be developing a distinctive talent for naming tunes. You gotta love titles like "Captain Crunch (Meets the Cereal Killer)" and "Nick@Night," but the music is strictly traditional stuff, refusing to transcend the ordinary. There are exceptions early and late on the disc when touches of instrumental enterprise peek through; "Beyond the Stars" would sound like an ordinary slice of post-bop were it not for the fact that Anthony Wonsey (and Payton!) are playing harpsichords, adding a sting from an instrument not explored much in jazz since the swing era. The multi-sectioned "Faith" also has its best moments when backed by harpsichord and celeste, and "Sun Goddess," a tune done by Ramsey Lewis in the '70s, has a striking harpsichord-backed opening. There is no doubt that Payton's choice of notes and use of space continues to mature, and his quintet -- with Wonsey on piano, Tim Warfield on saxophones, Reuben Rogers on bass, and Adonis Rose on drums -- just gets tighter and more intuitively interactive.