w technologi 24 BIT HYPER MAGNUM SOUND!
By Dr. Judith Schlesinger
This bouquet of Ellingtonia is superb, but then you'd expect nothing less from such a top-level trio. Bill Charlap, increasingly acknowledged as one of the best living pianists in jazz, has a unique touch; when he plays a ballad, as on “Sentimental Mood,” he presses the keys so softly that the notes seem breathed, rather than struck. His swinging his crisp, his runs light and flawless, and he has a knack for finding the heart of a song ? a talent shared by bassist Jay Leonhart, who conveys maximum meaning with his harmonic choices. Leonhart, also known for his droll songwriting, can convey this wry sensibility with his playing, especially with his sly use of the slide. Bill Stewart, whose profile is perhaps broader than the others, does a fine and nuanced job throughout.
Highlights are hard to pick when a CD is this consistent, but if you twisted my arm I'd choose the aforementioned “Sentimental Mood,” the very cool “C-Jam Blues,” and the title track, with its swinging solos and trades and impish sense of fun. All told, a sparkling, stylish release.
>>Hyper Magnum Sound - to wyjątkowo subtelny proces 24 bitowego masteringu, w wyniku którego dźwięk uzyskuje bardzo głęboki, miękki i soczysty wymiar. Nagrania w tej technologii zachwycają urodą i klimatem jazzowej ballady, improwizacji, a także vocalem. Nikt nie potrafi tak ożywić brzmienia instrumentów jak Venus Records.