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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
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Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
MOZART, Arthur Grumiaux, Clara Haskil, Prague Chamber Orchestra, Ataulfo Argenta
Violin Concerto No. 3 / Violin Sonata No. 32 in B-Flat Major / Violin Sonata No. 21 in E minor / Violin Sonata No. 26 in B flat major
ZamknijGaleria okładek
- Arthur Grumiaux - violin
- Clara Haskil - piano
- Prague Chamber Orchestra - orchestra
- Ataulfo Argenta - conductor
- MOZART
67.00 PLN
CD:
Nr kat.: DHR7779Label : DOREMI (Canada)
Arthur Grumiaux Vol. 1
Arthur Grumiaux (1921-1986) was one of the most important exponents of the so-called Franco-Belgian school of violin Playing. He had a pure, refined and elegant performance style and his tone had a beautiful bloom that served him well particularly in Mozart. He had an admirable technical facility that projected assurance and ease, with a clean articulation and a calm flamboyance. Arthur Rubimstein wrote of grumiaux - a divine violinist - whose Mozart playing ''brings tears to my eyes''. Grumiaux was a “complete musician”. Like Oistrakh, Menuhin and Heifetz, he regularly combined solo playing with chamber music. In particular, the “Grumiaux Trio” was active on stage and in recordings for many years. Boris Schwartz, in his survey of ''Great Masters of the Violin'' referred to Grumiaux's ''sensuous warmth'' coupled with ''nobility and uncompromising musicianship.'' All items here are live performances, first time on CD and some are first release ever.