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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
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MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
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Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
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TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
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MOZART, WAGNER, GOUNOD, MASSENET, Victoria de los Angeles
The Art of Victoria De Los Angeles
ZamknijGaleria okładek
- CD 1
- Mozart, Wolfgang Amadeus
- Ponte, Lorenzo da - lyricist(s)
- 1. Le nozze di Figaro (The Marriage of Figaro), K. 492, Act II: Cavatina: Porgi, amor, qualche ristoro - 04:34
- Wagner, Richard
- Wagner, Richard - lyricist(s)
- 2. Tannhauser, Act II: Dich, teure Halle, gruss' ich wieder - 04:43
- Wagner, Richard
- Wagner, Richard - lyricist(s)
- 3. Lohengrin, Act I: Einsam in truben Tagen - 04:52
- Gounod, Charles-Francois
- Carre, Michel / Barbier, Jules - lyricist(s)
- 4. Faust, Act II: Je voudrais bien savoir … Il etait un roi de Thule - 09:26
- Massenet, Jules
- Gille, Philippe / Meilhac, Henri - lyricist(s)
- 5. Manon, Act II: Allons! … il le faut! … Adieu, notre petite table - 03:49
- Granados, Enrique
- Periquet, Fernando - lyricist(s)
- 6. Goyescas, Part I: La maja y el ruisenor - 09:24
- Granados, Enrique
- Periquet, Fernando - lyricist(s)
- 7. Tonadillas al estilo antiguo - 03:02
- Fuste, Ernesto
- Anonymous - lyricist(s)
- 8. Hablame de amor - 02:52
- Turina, Joaquin
- Campoamor, Rivas de - lyricist(s)
- 9. Triptico, Op. 45: Farruca - 03:16
- Valverde, Joaquin
- Cadenas, Jose Juan - lyricist(s)
- 10. Clavelitos - 01:49
- Traditional
- Traditional - lyricist(s)
- 11. No quiero tus avellanas - 03:36
- Traditional
- Traditional - lyricist(s)
- 12. Jota - 02:19
- Granados, Enrique
- Periquet, Fernando - lyricist(s)
- Tonadillas al estilo antiguo (excerpts) - 05:03
- 13. No. 9. La maja dolorosa - 03:36
- 14. No. 4. El majo discreto - 01:27
- Traditional
- Traditional - lyricist(s)
- 15. El retrato de Isabela - 02:07
- Traditional
- Traditional - lyricist(s)
- 16. El amoro y los ojos - 02:40
- Traditional
- Anonymous - lyricist(s)
- 17. El Vito - 01:52
- Traditional
- Traditional - lyricist(s)
- 18. Pano Murciano - 01:49
- CD 2
- Massenet, Jules
- Gille, Philippe / Meilhac, Henri - lyricist(s)
- Manon (excerpts) - 18:19
- 1. Act III: Padonnez-moi, Dieu de toute puissance…on m'appelle Manon - 08:04
- 2. Act V: Ah! Des Grieux! - 10:15
- Puccini, Giacomo
- Giacosa, Giuseppe / Illica, Luigi - lyricist(s)
- La boheme (excerpts) - 24:59
- 3. Act I: Si. Mi chiamano Mimi - 10:04
- 4. Act III: D'onde lieta usci - 03:22
- 5. Act IV: Sono andati? - 11:33
- Puccini, Giacomo
- Illica, Luigi / Giacosa, Giuseppe - lyricist(s)
- Madama Butterfly (excerpts) - 31:41
- 6. Act I: Bimba, bimba, non piangere - 15:07
- 7. Act II: Un bel di, vedremo - 04:14
- 8. Act III: Che vuol da me? - 12:20
- Victoria de los Angeles - soprano
- MOZART
- WAGNER
- GOUNOD
- MASSENET
An exceptional career, for length and consistency: this, in a nutshell, the curriculum of Victoria de Los Angeles, one of the most acclaimed sopranos of the 1900s, a true icon for opera lovers, and one that unfortunately - despite her many recordings and the favour of the press - still remains, for the public at large, in the shade of Maria Callas and Renata Tebaldi. Of Catalan origin, Victoria de Los Angeles was born in Barcelona on November 1st, 1923; and in her native city she recently passed away, on 15th January 2005. Hundreds of recordings provide a well-documented profile of the progress and stylistic development of this soprano, whom nature had gifted with extraordinary means as far as the volume and extension of her voice and who, in the course of her artistic path, was sought by the most important conductors, among them Beecham, Karajan, Solti, Monteux, de Sabata, Giulini, Kertész, Metha, and Prêtre. The present 2-CD set features a rich anthology of this singer’s recordings: from the early recordings of the 1940s, to her unforgettable interpretations of Spanish folk songs, to the triumphant Puccini’s and Massenet’s roles of the 1950s. 1949-1955 studio and live recordings
