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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
MOZART, Maria Joao Pires
Piano Sonatas K.310, K.330, K.331 'Alla Turca'
- Maria Joao Pires - piano
- MOZART
449.00 PLN
SACD Hybr:
Nr kat.: ESSG90189Label : Esoteric (Japan)
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
The Portuguese pianist Maria Joa?o Pires has long been associated with the music of Mozart. Her delicacy of touch, vibrancy of phrasing and sense of fantasy mark her out as one of the elect who can touch his keyboard music without coarsening or sim- plifying it. She has made two complete cycles of the sonatas; reissued here is the first one, from the days in the 1970s when she first appeared on the international scene and won over listeners with a graceful purity of approach that left more famous names trailing in her wake.The later cycle brought added refinement, but anyone who is captivated by this still undervalued corpus – too difficult for beginners, yet scorned by many professionals in search of gaudier glories – will want to hear this set.
OTHER INFORMATION:
• ‘Pires has always been something of a Mozar t specialist, and her playing is tasteful and cleanly articulated, the lyrical melodies sensitively shaped, the passage work fluent and even. Nothing she does is ever harsh or graceless.’ Gramophone, July 1990.
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