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MOZART, STRAUSS R., Sofia Soloviy, Dario Schmunck, Orchestra Internationale d'Italia, Corrado Rovaris

Idomeneo

Idomeneo image
Galeria okładek

ZamknijGaleria okładek

  • 1. Overture 4:31
  • 2. Act I Scene 1: Recitative: Wann enden meine Leiden? (Illia) 2:48
  • 3. Act I Scene 1: Vater und Bruder, wohl denk' ich der Pflichten die Euer Schicksal (Ilia) 2:49
  • 4. Act I Scene 2: Frohe Botschaft bring ich, Ilia (Idamantes, Ilia) 0:59
  • 5. Act I Scene 2: Endlich durfen Worte sagen, was bis heut nur der Blick gestand! (Idamantes) 5:16
  • 6. Act I Scenes 2-5: Nicht reize der Gotter Zorn, bedenk', wen Vater ich einst nannte (Ilia, Idamantes, Chorus, 2 Cretan Girls, 2 Trojans, Ismene) 6:29
  • 7. Act I Scene 5: In meinem tiefen Schmerze erhort mich (Ismene) - Scene 6: Da seht! (Women's Chorus, Mixed Chorus) - Scene 7: Gerettet! Dank dir Gott! (Idomeneo) 5:39
  • 8. Act I Scene 7: Schon was ich ein Opter wutender Sturme (Idomeneo) - Scene 8: Gottheit, wie grausam! (Idomeneo, Idamantes) - Scene 9: Was bedeutet dies Wort! (Idamantes) 5:16
  • 9. Act I Scene 9: Wohl ist er gerettet vom Tode (Idamantes) - Scene 10: Poseidon verehret! (Chorus) 1:27
  • 10. Act I Scene 9: Instrumental March 7:42
  • 11. Act II Scene 1: Nun weisst du das Geheimnis! (Idomeneo, Arbaces) 2:00
  • 12. Act II Scene 1: Den Rat befolg ich (Idomeneo) - Scene 2: Gott! Du strafst mit harten Handen! (Idomeneo) - Scene 3: Die Freude spielt in deinem Aug (Idomeneo, Ismene) 4:26
  • 13. Act II Scene 3: Muss ich von Dir mich trennen (Idamantes, Ismene, Idomeneo) 3:46
  • 14. Act II Scene 3: Darf ich dir, Vater, jetzt (Idamantes, Idomeneo) - Scene 4: Dir, Konig, neigt sich die Verwaiste (Ilia, Idomeneo) 1:30
  • 15. Act II Scene 4: Wie lang schon bewein ich in einsamen Stunden den Tod meines Vaters (Ilia) 5:22
  • Disc 2:
  • Song Title Time Price
  • 1. Act II Scene 5: Wie unerwartet! (Idomeneo) - Scene 6: Wasser und Wind versohnend (Chorus) 3:07
  • 2. Act II Scene 7: Sanfte Winde, folgt dem Teuren und geleitet ihn zum Ziele (Ilia) 4:39
  • 3. Act II Scene 7: Ist dieser Donner deine Antwort, Zeus? (Ilia) - Scene 8: Das Meer ist in Aufruhr! (Chorus, A Man from the People) 4:13
  • 4. Act II Scene 8: Instrumental Interlude 3:24
  • 5. Act II Scene 9: Wurgend verbreitet Tod das Untier in der Stadt! (Ilia, Idamantes) 3:17
  • 6. Act II Scene 9: Duet: Es fehlen mir die Worte (Ilia, Idamantes) 2:35
  • 7. Act II Scene 10: Idamantes! (Idomeneo, Idamantes, Ilia, Ismene) 1:27
  • 8. Act II Scene 10: Quartet: Ich geh' allein und einsam (Idamantes, Ilia, Idomeneo, Ismene) 5:21
  • 9. Act II Scene 11: Du armes Kind! (Idomeneo, Ilia, Ismene) 1:31
  • 10. Act II Scene 11: Orestes und Ajas, ich ruf' Eure Namen! (Ismene) 2:53
  • 11. Act III Scene 1: Konig, wir mussen dich fragen (High Priest, Chorus, Idomeneo) 5:50
  • 12. Act III Scene 2: Sacred Dance 1:19
  • 13. Act III Scene 3: Vor dir, o Gott, gebeugt (Idomeneo, Priest, All the Priest, Chorus) 3:27
  • 14. Act III Scene 4: Idamantes? (Idomeneo, Idamantes) - Scene 5: Halt ein, Furst, ich sei das Opfer! (Ilia, Idamantes, Idomeneo, A Voice, Chorus) 4:54
  • 15. Act III Scene 5: Gnade verkundend endet ein Wunder (Ilia, Idamantes, Idomeneo, High Priest, Chorus) - Final Song and Dance: Eros fuhrt machtige Waffen (Chorus) 9:25
  • Orchestra Internationale d'Italia - orchestra
  • Corrado Rovaris - conductor
  • Dario Schmunck - tenor
  • Sofia Soloviy - soprano
  • MOZART
  • STRAUSS R.

Produkt w tej chwili niedostępny.

Many of the transcriptions and arrangements of masterpieces of the past done by great composers of the early twentieth century, like Monteverdi's Orfeo revised and corrected by Ottorino Respighi (1934) and Mozart's Idomeneo freely and generously revised by Richard Strauss (1931), have become historical remains themselves, and as such are rediscovered and reproposed; seeking to be as faithful as possible to their own variously glaring faithlessness, they reflect the true feelings of the authors of these "revisions" much more than tributes and acts of devotion. In 1929 the Bohemian producer Lothar Wallerstein and the conductor Klemens Krauss asked Richard Strauss for an adaptation of Mozart's Idomeneo to be performed in 1931 to mark the 150th anniversary of the first performance of the opera, staged in Munich on 29th January 1781. The original libretto of Mozart's Idomeneo, written in Italian by abbot Varesco, court chaplain in Salzburg, was thus translated into German, and between spring and summer 1930 Strauss completed his work on the adaptation. We do not have enough space here to examine all the changes, modifications and additions that Strauss made. Whoever listens to this Idomeneo must be fully aware of the fact that the Mozart opera, as we know and love it today, was only the basis on which Strauss worked. The opera should be seen, at least half of it, as an original work by the Munich composer. If we were to apply the simple metre of historical fidelity, the work would be completely unredeemable. If, on the other hand, we see it as a personal, free re-elaboration effected by one musical genius on the basis of the product of another musical genius, then it will offer us no few points of reflection and even of genuine musical pleasure. Cast Idomeneo Dario Schmunck Idamantes Sofiya Solovey Ilia Cinzia Forte Ismene Francesca Scaini High Priest Federico Sacchi Arbaces/Una Voce Michele Aurelio Bruno Conductor Corrado Rovaris Orchestra Italian International Orchestra Chorus Slovak Chamber Choir Chorus master Pavol Procházka

 

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