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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Mischa Maisky, Pavel Gililov
Vocalise: Russian Romances
- Mischa Maisky - cello
- Pavel Gililov - piano
119.00 PLN
SHM-CD:
Nr kat.: UCCG6252Label : UNIVERSAL (Japan)
AllMusic Review by James Leonard [-]
In this continuation of his successful series of ‘songs without words' -- songs for voice and piano transcribed for cello and piano -- Mischa Maisky left the Austro-Germanic repertoire he had previously explored behind and turned to the songs of his motherland in this disc of Russian songs called "Vocalise." For fans of Maisky's earlier discs of Schubert, Mendelssohn and Brahms, no more needed to be said: the same sweetly singing tone, the same warm-hearted phrasing, the same vibrato, portamento and glissando that distinguished Maisky's those discs was fully present here. From Glinka's lighthearted "The Lark" to Tchaikovsky's aching "None but the Lonely Heart" to Glazunov's yearning "Desire" to Rachmaninoff's melancholic "Sing Not to Me, Beautiful Maiden," Maisky was as wholly committed to these songs as he was to those of Schubert and his performances with pianist Pavel Gililov were as convincing as could be imagined. While this might not work for those who prefer their songs with words or their cello music abstract, for lovers of cello music who wish the 19th century repertoire contained more short but affecting works by Russian composers, Maisky's disc will be just the thing.
Deutsche Grammophon's sound is focused and direct but somewhat lacking in atmosphere.
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