Logowanie
Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Miles Davis, Sonny Rollins, Al Cohn, John Lewis
Miles Davis and Horns
ZamknijGaleria okładek
- Miles Davis - Miles Davis and Horns
- 01. Morpheus (2:23)
- 02. Down (2:53)
- 03. Blue Room - (take 2) (3:01)
- 04. Whispering (3:04)
- 05. Tasty Pudding (3:23)
- 06. Willie The Wailer (4:28)
- 07. Floppy (6:03)
- 08. For Adults Only (5:36)
- 09. Blue Room - (take 1) (2:50)
- Miles Davis - trumpet
- Sonny Rollins - saxophone
- Al Cohn - saxophone
- John Lewis - piano
- Roy Haynes - drums
Miles Davis' first studio session for the Prestige label took place on January 17, 1951, with a front line of Sonny Rollins on tenor and Bennie Green on trombone. Two years later, Miles made his second session of 1953 in the company of two tenor men deeply touched by the work of Lester Young and Charlie Parker: Al Cohn and Zoot Sims, two of Woody Herman's famous Four Brothers. These two sessions, featuring a pair of three-horn front lines, make up the music on MILES DAVIS AND HORNS. The John Lewis opener "Morpheus" proceeds from where BIRTH OF THE COOL left off, with the horns harmonizing off a sustained bass vamp/cymbal roll, then introducing a Roy Haynes drum break with fleet lines that pave the way for boppish solos. Davis' own "Down" is an early snapshot of the trumpeter's pensive blues work, with some contrasting Rollins bluster. Other highlights are Lewis' spectral chordal prologue to "Blue Room" and his Basie-style intro to "Whispering," a song on which Miles' attack and tone really come together. "I Know" is a Rollins feature, with Miles on piano. The 1953 date is a delightful blowing session, with Kenny Clarke providing plenty of percussive salsa, and Al Cohn providing masterful charts. Cohn, Sims and Miles team to provide distinctive, rich harmonies on themes such as the slow, soulful "Tasty Pudding" and "For Adults Only," whith their introspective features. "Willie The Wailer" borrows its intro from Benny Goodman's "Soft Winds" and provides Miles and Cohn with plenty of swing drive. The call and response of "Floppy" leads to powerful Davis-Clarke interplay, a taut John Lewis solo and anthemic Cohn-Sims exchanges.
