"..what Hill does is to allow the listener to come to the music, rather than bring the music to the listener. In this sense, his comparatively passive approach can be held up as a virtue, as can the literalness of his adherence to notated rhythm (especially in the birdsong) and to the metronome markings.. What is more, the most complex movements are far more thoroughly prepared.. while the lyrical effusions.. have an inner calm and glow all their own.. anyone who has enjoyed the earlier issues will be richly rewarded here too" (Gramophone)