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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
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NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
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Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
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La Spagna Paniagua
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Audiophile Classic - Extended HD2
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Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
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Extended High Definition Mastering 2
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Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
MENOTTI, John Davies, Michael Chioldi, Joyce Castle
The Consul
99.00 PLN
2 CD:
Nr kat.: NPD85645Label : Newport Classic
Gian Carlo Menotti has been an extremely prolific composer of opera. His gift for emotional directness and the use of "real" characters in his operas has made them appealing to wider audiences. 'The Consul,' written in 1950, was one in a string of successes for Menotti, including 'Amelia Goes to the Ball,' 'The Old Maid And The Thief,' and of course, 'Amahl And The Night Visitors.' Menotti himself wrote the libretto for 'The Consul,' a politically tinged, romantic story inspired by a newspaper article about a Polish immigrant who committed suicide because she was denied admission to Ellis Island. Menotti's textured orchestration is beautifully illuminated in the musical interludes, and the outstanding performances of Beverly O'Regan Thiele, Michael Chioldi, and the always-excellent John Cheek (along with a strong ensemble cast) are finely supported by conductor Joel Revzen and the Camerata New York Orchestra. Take note of the musically soaring Act II, Scene II, where Magda goes to the Consul's office upset and anguished, begging to speak with the Consul, but is put off by The Secretary. This chain of events drives the rest of the opera, leading to its sorrowful conclusion.