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Najbardziej analogowe brzmienie na CD - XRCD!
TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
MENDELSSOHN, MARTINU, CHOPIN, Janos Starker, Gyorgy Sebok
Recital
- Janos Starker - cello
- Gyorgy Sebok - piano
- MENDELSSOHN
- MARTINU
- CHOPIN
229.00 PLN
LP-180G 33rpm:
Nr kat.: LP43187Label : Analogphonic
180g Audiophile Virgin Vinyl LP! From the Original Masters of Universal Music! Audiophile Analog Mastering by Rainer Maillard at Emil Berliner Studios! Pressed at Optimal in Germany! Starker is a superb musician and a master of his instrument. He has previously recorded some of the music on this disc, but these new performances sound better and are better. Mercury has wisely avoided the old echo-chamber manner of recording which made the early Starker discs sound as if they were played on one hundred cellos at once in the Moscow subway. There is probably no cellist currently active who can draw the range of floating and resonant sounds even up into the top register as Starker can. Nor, for that matter, are there many who can do all this with such musical integrity. He challenges memories of the fabled Feuermann, and his performance of the Chopin Polonaise brillante comes as close to the old Feuermann performance as any now available. Gyorgy Sebok is an admirable partner. (Hi-Fi Review)