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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
McCoy Tyner
Live at Newport
69.00 PLN
CD:
Nr kat.: 547980Label : Impulse
Live at Newport was the first live recording McCoy Tyner led, and it happened to be among his most memorable dates for Impulse, but like many memorable sessions, it was the end result of equal parts planning, spontaneity, and talent. According to Willis Conover's original liner notes, Tyner was worn out from playing Montreal the night before, and he was paired with three musicians he'd never played with before (trumpeter Clark Terry, alto saxophonist Charlie Mariano, and bassist Bob Cranshaw), two of who were using borrowed instruments. Given such chaotic circumstances, it's not surprising that the quintet (also featuring drummer Mickey Roker, a former colleague of Tyner's) chose to play two standards, plus Tyner's "Monk's Blues," Dizzy Gillespie's "Woody 'n' You," and the improvised opening jam, "Newport Romp." What is a surprise is that not only does the group hold together, but they excel. They sound empathetic, as if they've played many times before, yet there are enough sparks to signal that they're still unsure of what the other will play. The results are thoroughly compelling and unpredictable, even when it's just a Tyner showcase, like "Monk's Blues." Essentially a solo showcase with support from Cranshaw and Roker, Tyner really pushes on this number, beginning it as a Monk homage and pushing it to continually inventive territory. It's the riskiest playing on the record from Tyner, but just because Live at Newport isn't as risky as his work with Coltrane during the early '60s doesn't mean it's limp or complacent. It's straight-ahead hard bop in the best possible sense — accessible but stimulating, engaging and vibrant from beginning to end. by Stephen Thomas Erlewine Courtesy All Music
