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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
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Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Martin Speake
Hullabaloo
69.00 PLN
HDCD :
Nr kat.: AKD191Label : Linn Records
Płyta inspirowana muzyką Keitha Jarretta
Like 'Waiting For you' Hullabaloo's longest statement emerges slowly from the preceding silence, seeping into the consciousness as if in a dream. The subtleties of Martin Speake's music reveal themselves gradually, poco a poco, quietly insistent yet never showy. The musical journey of Arco Iris is again typical, switching suddenly from repetitions of the same chorale-like melodic fragment transposed to a number of different keys to a snaking 11/4 groove underpinned initially by a descending, syncopated chordal sequence in the guitar and subsequently by a wonderfully sinuous bass ostinato. Speake's excellent quartet (guitarist John Parricelli, bassist Mick Hutton and drummer Tom Skinner) don't just listen keenly to one another, they also anticipate and precipitate one another, musically speaking. It's curious to note that, whilst Speake clearly favours both the transparency of texture and added edge that the guitar provides, of the three tracks dedicated to musicians all three happen to be pianists (Keith Jarrett, Bill Evans and John Taylor). Peter Quinn JazzWise