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Maria Tallchief

Her Complete Bell Telephone Hour Appearances

  • Adagio from the "Scotch" Symphony
  • (with André Eglevsky) music: Mendelssohn;
  • choreography: George Balanchine
  • © The George Balanchine Trust
  • telecast of April 9, 1959
  • Grand pas de deux from Don Quixote
  • (with Erik Bruhn) music: Minkus;
  • choreography: Marius Petipa
  • telecast of January 6, 1961
  • Pas de deux from Flower Festival in Genzano
  • (with Rudolf Nureyev) music: Helsted & Paulli; choreography: Erik Bruhn, after Bournonville
  • telecast of January 19, 1962
  • Allegro brillante to
  • Tchaikovsky’s Third Piano Concerto
  • (with Nicholas Magallanes) music: Tchaikovsky; choreography: George Balanchine
  • © The George Balanchine Trust
  • telecast of February 25, 1964
  • "Balcony Scene" pas de deux
  • from Romeo and Juliet
  • (with Conrad Ludlow) music: Prokofiev;
  • choreography: John Butler
  • telecast of February 13, 1966
  • Originally produced for the
  • Bell Telephone Hour television series
  • Maria Tallchief - artist

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>>> Większa okładka A <<< Maria Tallchief has long been recognized as one of the most accomplished American-trained dancers of her time. Her superb technique, combined with an innate musicality, lent a strong presence to her appearances, most particularly to the many major roles created for her by George Balanchine. Tallchief made five guest appearances on the Bell Telephone Hour. Her partners included an appropriately starry assemblage of leading male dancers. The excerpts, ranging from the cool neoclassicism of Balanchine’s Allegro brillante to John Butler’s ardent Romeo and Juliet pas de deux, amply demonstrate the extraordinary versatility of this truly great American ballerina.