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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
MAHLER, Tonhalle-Orchester Zurich, David Zinman
Symphony No. 8 / Schlusszene aus Goethes Faust
- Tonhalle-Orchester Zurich - orchestra
- David Zinman - conductor
- MAHLER
CD ze ścieżką multimedialną
Gramophone MagazineJuly 2010 It sounds tall, wide and handsome in that wonderfully open Zinman way, and in the central development section he and his engineers ensure that we hear right into the texture, our ears led on by every strand of counterpoint. Sunday Times25th April 2010 the intensity and beauty of the string sound in the long orchestral introduction to Part II is vintage Mahler in Zinman’s loving, but never self-indulgent, hands... it’s clear he remains one of the world’s most inquiring senior maestros, looking for fresh perspectives. In his Mahler cycle, he has certainly found those. The Guardian22nd April 2010 Zinman's Mahler never peaks too soon, never shows all its emotional cards too early, that that confidence to keep something in reserve as long as possible pays dividends in the second part...Both solo and choral singing are consistently good...but it's the measured, musical nous of Zinman's conducting that really deserves the spotlight.
