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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
MAHLER, Symphonie - Orchester Des Bayerischen Rundfunks, Rafael Kubelik
Symphony No. 7
Gustav Mahler - Symphony No. 7
01. 1. Langsam (Adagio) - Allegro con fuoco (19:58)
02. 2. Nachtmusik. Allegro moderato (15:36)
03. 3. Scherzo. Schattenhaft (9:28)
04. 4. Nachtmusik. Andante amoroso (11:53)
05. 5. Rondo. Finale (16:27)
- Rafael Kubelik - conductor
- Symphonie - Orchester Des Bayerischen Rundfunks - orchestra
- MAHLER
If Mahler did indeed strive for a glorification of pantheistic feeling for nature in his Symphony No. 7, then the result turned out to be extremely broken and complex. A letter from Mahler to a friend may here contribute to a better understanding: "I am always strangely moved by the fact that most people, when they speak of nature, only think of flowers, birds and forest air. No one seems to know the god Dionysus, the great Pan. Well, there you already have a kind of programme describing how I make music." The work appears in a live recording made on 5 February 1976 in the Hercules Hall of the Residenz in Munich. >>> WYBRANE RECENZJE Z PRASY ŚWIATOWEJ <<<