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MAHLER, Carlo Maria Giulini, Chicago Symphony Orchestra

Symphony No. 1 in D Major

Gustaf Mahler - Symphony No. 1 in D Major 01. Langsam. Schleppend. Wie ein Naturlaut (16:45) 02. Kräftig bewegt, doch nicht zu schnell (8:00) 03. Feierlich und gemessen, ohne zu schleppen (11:21) 04. Stürmisch bewegt (20:40)
  • Carlo Maria Giulini - conductor
  • Chicago Symphony Orchestra - orchestra
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129.00 PLN

LP-180G 33rpm:

Nr kat.: HIQLP035
Label  : Hi-Q Records
Nośnik w tej chwili niedostępny.


Nr kat.: HIQXRCD35
Label  : JVC XRCD

Carlo Maria Giulini conducts the Chicago Symphony Orchestra for this 1971 recording of Mahler's First Symphony.

"Although Giulini premiered in England at Glyndebourne in Falstaff, it was his direction of Visconti's production of Don Carlos at Covent Garden that made him well-known in Britain. In 1955, he debuted in the United States with the Chicago Symphony Orchestra...He was appointed principal guest conductor of the Chicago Symphony in 1969, and was the director of the Vienna Symphony Orchestra from 1973 to 1976. He succeeded Zubin Mehta as musical director of the Los Angeles Philharmonic in 1978, remaining at that post until 1984." - excerpts from allmusic.com >>> Płyty XRCD do odtworzenia we wszystkich typach czytników CD oraz DVD. Gwarantują niespotykaną wcześniej analogową jakość brzmienia, znakomitą scenę i wyjątkową przejrzystość oraz kolorystykę dźwięku. <<<

In the original August 1971 review in the GRAMOPHONE Edward Greenfield remarked: “If you want a Mahler First above all for beauty of tone and phrasing and precision of ensemble, then this is a plain first choice. In addition Giulini’s qualities suit this work. For all the orchestral sophistication, he has a transparent honesty which accords well with Mahler in ‘Wayfaring Lad’ mood. Nor does he use the Chicago orchestra’s virtuosity to whip up excitement in fast tempi... Giulini’s, sumptuously beautiful all through and never merely slick and over-polished, is certainly one to add to the list of top recommendations, not least for the gorgeousness of the recorded sound... which is even richer than in the three finely-recorded rivals which I list [Solti, Kubelik and Horenstein].”


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