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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
MAHLER, Margaret Price, Agnes Baltsa, Herman Prey, Leonard Bernstein
Symphonie No. 8 / Symphonie No. 10 - Adagio
Side A:
Symphony No. 10
1. Adagio
Side B:
Symphony No. 8 - Part 1
2. Hymnus "Veni, creator spiritus"
Side C:
Symphony No. 8 - Part 2 (Schlusszene aus Goethes "Faust II"
3. Poco adagio
Side D:
Symphony No. 8 - Part 2 (Schlusszene aus Goethes "Faust II"
4. Schon etwas langsamer und immer noch massiger
Side E:
Symphony No. 8 - Part 2 (Schlusszene aus Goethes "Faust II"
5. Hymnenartig
Side F:
Blank - No music
- Margaret Price - soprano
- Agnes Baltsa - mezzosopran
- Herman Prey - baritone
- Leonard Bernstein - conductor
- Wiener Philharmoniker - orchestra
- MAHLER
This, then, is the last Bernstein Eighth — a one-off caught live at the 1975 Salzburg Festival … it (the live recording) isn't ideal, but suffice it to say, Bernstein in this repertory is not easily suppressed and, somehow or other, the fervour of the occasion shines through its shortcomings. The Adagio from the Tenth, here once more is an object lesson in Mahlerian sostenuto with Bernstein breathing through and beyond the great arching phrases, aided and abetted by the unique burnished colour of those famed Vienna strings and horns. … There is still a very special tension in the air. There always was. - The Gramophone Magazine
