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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Louis Armstring and His All-Stars
Jazz Is Back in Grand Rapids
- Louis Armstring and His All-Stars - orchestra
229.00 PLN
2 LP-180G 33rpm:
Nr kat.: ORGM2097Label : ORG Music
AllMusic Review by Steve Leggett [-] This previously unreleased concert by Louis Armstrong & His All-Stars is a historical gem. Recorded on March 26, 1956, at the Civic Auditorium in Grand Rapids, MI, it affords jazz fans a chance to hear what the barnstorming Armstrong's shows were like in heartland America, since the whole concert is presented here, with decent sound and only minimally intrusive crowd noise. Armstrong's affable presence is pervasive, but not always center stage, as each member of the All-Stars gets his turn in the course of the revue. Bass player Arvell Shaw, in particular, shines on "How High the Moon," and his playing on "Mack the Knife" is another highlight. The Brecht song is a perfect vehicle for Armstrong's singing style and his penchant for treating words like they were a string of notes in one of his amazing horn solos. Longtime Armstrong duet partner Velma Middleton gets a solo turn on the hard-shouted "Blues à la Hey Bob-A-Rebob" and joins Armstrong for two semi-comedic duets on "That's My Desire" and "Kokomo." While this disc can hardly be deemed essential, it is still a joy to listen to, and when viewed as a historical document of Louis Armstrong and his band at a very particular place and time, well, it is darn near priceless.