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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Lou Reed
The Bells
99.00 PLN
CD (miniLP):
Nr kat.: BVCM37748Label : BMG Japan
Digtially remastered by Elliott Federman (SAJE Sound, New York, New York). Intriguing even by Reed's own standards, THE BELLS is an experimental album, recorded in so-called binaural sound, a process which he became enamored with in the late '70s. Theoretically, it was supposed to simulate a 360 degree soundfield, although Reed himself has since admitted it didn't work. Reed's usually plainspoken vocals are somewhat affected here, and the overall sound--courtesy of Marty Fogel's overdubbed saxophone section--verges on early '70s glam rock. Lyrically, the songs range from the meaningless "Disco Mystic" (it consists of the repetition of just those two words over a four minute instrumental), to more typical Reed dissertations about walks on the wild side, the most chilling of which "All Through the Night," is sung against a backdrop of cocktail party chatter. Also noteworthy are "City Lights," one of Reed's first overtly political songs and the title track. The Wire (6/00, p. 38) - "... Reed's somewhat quixotic quest to make supermarket disco boogie resonate with emotions that are plainly not there.... skillfully rendering a mood a utter desolation...