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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
LOEWE, Julie Andrews, Rex Harrison
My fair lady
- Julie Andrews - vocal
- Rex Harrison - vocal
- LOEWE
159.00 PLN
LP-180G 33rpm:
Nr kat.: SK8368117Label : Analog Spark
ORIGINAL BROADWAY CAST RECORDING
Incontestably one of the greatest Broadway musicals of all time, My Fair Lady, which opened at the Mark Hellinger on March 15, 1956 and enjoyed a long run of 2,717 performances, set the standards for its perfect integration of the songs and the plot in a smooth amalgamation of music and drama. The work of Alan Jay Lerner and Frederick Loewe, who adapted George Bernard Shaw’s whimsical tale of Pygmalion to the musical stage, it starred a non-singing actor, Rex Harrison, another first, and Julie Andrews in her first major role on Broadway. When its producer, Herman Levin, sought to raise the money needed to bring the expensive show to New York, he found in Columbia Records President Goddard Lieberson a tolerant patron of the arts who, single-handedly, provided the $375,000 capitalization, in exchange for the rights in perpetuity to the original cast album. That recording, along with its companion volume in stereo, cut two years later, has always been one of the biggest sellers in the Columbia catalog.