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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
LISZT, MEYERBEER, VERDI, Bruce Ford, Elizabeth Vidal, William Matteuzzi
Il primo dolce affanno.... - The first sweet pain.
ZamknijGaleria okładek
- Bruce Ford - tenor
- Elizabeth Vidal - soprano
- William Matteuzzi - tenor
- LISZT
- MEYERBEER
- VERDI
69.00 PLN
CD:
Nr kat.: orr230Label : Opera Rara
>>> Większa okładka A <<< >>> Większa okładka B <<< In the seventh volume of its Il Salotto series, we decided to programme Liszt’s Petrarch Sonnets – but, they do not appear in the conventional way. Rather, the three sonnets are presented out of sequence, interspersed with music of Liszt’s contemporaries, composers whose work he knew or knew of. Ordinarily, these intensely personal songs are heard in recitals as a separate group. As they are all in the same key, this can give the impression that one flows into another. But, in fact, each song has a different text and sentiment and, in the spirit of its Il Salotto series,we decided to separate them with other music. For various reasons, works by Meyerbeer, Saint-Säens, Poniatowski, Federico Ricci, Gomes and Verdi seemed appropriate choices.