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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
KODALY, PROKOFIEV, DUTILLEUX, Yoko Hasegawa
Oh! Cello Goddess
ZamknijGaleria okładek
- Yoko Hasegawa - cello
- KODALY
- PROKOFIEV
- DUTILLEUX
129.00 PLN
K2CD:
Nr kat.: K2016Label : ABC Int. Records
AAD is a Digital Copy Of
The Master Tape
This album collected unaccompanied opuses with great difficulty. It does not only require the superb skills for the player but also demands the high taste and great patience of the audience. Yoko Hasegawa’s agile and enthusiastic performance showed a great attraction as well as infection. When mentioning unaccompanied cello opus, people will think of Bach’s six cello songs. Just because they were unaccompanied, the breath-taking performance and the changes in the music are combined together perfectly to lead the audience forward. Compared with this opus, the skill of playing Kodaly’s (Hungarian Composer) opuses are much harder. In order to achieve climax, it it requires the cellists’ power, tone and smooth sense of rhythm. The second section touched people a lot. Yoko Hasegawa creates a fantastic sense of rhythm. It is a kind of “endless epilogue”, which can’t explain by music theory. You can find similar effects in Dutilleux and prokoflev’s opuses.
