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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Kathleen Edwards
Back to me
- Kathleen Edwards - vocal
Review by Mark Deming Judging from the songs on Kathleen Edwards' sophomore album, Back to Me, this is one gal who's had some unpleasant run-ins with Cupid over the years, and she's not afraid to talk about 'em. Back to Me comes charging out of the gate with "In State," in which a woman spits with no small amount of venom that she's glad her outlaw boyfriend has been sent up the river for 20 years, and the album doesn't get a whole lot more optimistic about affairs of the heart as it goes along. But Back to Me never comes off as bitter for its own sake — sounding as if it were recorded under the influence of warm bourbon and a gray sky, the album is long on plain-spoken emotions and tough-talking guitars, but there's a fragile undertow beneath Edwards' flinty veneer that often rises to the surface, and the album's frequent bouts with bad karma are leavened by songs such as the sadly nostalgic "Pink Emerson Radio," the heartbreak of "Old Times Sake," and the title cut, in which Edwards shows her man she can give as good as she gets. Edwards' songs are well served by producer and guitarist Colin Cripps, and her road band gives the music plenty of rich sonic detail (and guest musicians Benmont Tench and Eric Heywood lend a valuable assist). Back to Me is a powerful and affecting album from an artist who is quickly establishing herself as a major talent.
