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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
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Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
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Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
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ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Jozef Hofmann
Casimir Hall recital 1938
- CD 1 (74:57)
- --------------------------------------------------------------------------------
- CADILLAC HOUR
- 15 MARCH 1936
- --------------------------------------------------------------------------------
- BEETHOVEN:
- Piano Sonata No. 14 in C-sharp Minor, op. 27, no. 2, "Moonlight"
- 1. I. Adagio sostenuto 5:26
- 2. II. Allegretto 1:35
- 3. III. Presto agitato 5:22
- CHOPIN:
- 4. Nocturne in F-sharp, op. 15, no. 2 3:39
- 5. Waltz in A-flat, op. 42 4:02
- 6. Waltz in D-flat, op. 64, no. 1, "Minute" 1:43
- CASIMIR HALL RECITAL
- CURTIS INSTITUTE OF MUSIC, 7 APRIL 1938
- --------------------------------------------------------------------------------
- BEETHOVEN:
- Piano Sonata No. 21 in C, op. 53, "Waldstein"
- 7. I. Allegro con brio 10:23
- 8. II. Introduzione: Adagio molto 2:57
- 9. III. Rondo: Allegretto moderato--Prestissimo 8:49
- SCHUMANN:
- Kreisleriana, op. 16
- 10. I. Agitatissimo 2:21
- 11. II. Con molto espressione, non troppo presto 4:36
- 12. V. Vivace assai 3:08
- 13. VI. Lento assai 2:44
- 14. VII. Molto presto 2:08
- 15. VIII. Vivace e scherzando 2:54
- CHOPIN:
- 16. Polonaise in E-flat Minor, op. 26, no. 2 7:27
- 17. Nocturne in B, op. 9, no. 3 5:43
- CD 2 (74:06)
- --------------------------------------------------------------------------------
- CASIMIR HALL RECITAL
- CURTIS INSTITUTE OF MUSIC, 7 APRIL 1938
- --------------------------------------------------------------------------------
- CHOPIN:
- 1. Waltz in E-flat, op. 18, "Valse Brillante" 4:48
- 2. Ballade No. 4 in F Minor, op. 52 9:38
- CHOPIN-HOFMANN:
- 3. Waltz in D-flat, op. 64, no. 1 "Minute" 1:43
- STOJOWSKI:
- 4. Caprice Orientale, op. 10, no. 2 4:14
- SCHUBERT-GODOWSKY:
- 5. Moment Musical, op. 94, no. 3 1:59
- HOFMANN:
- 6. Kaleidoskop, op. 40, no. 4 4:25
- 7. Penguine, No. 1 from "Three Impressions" 2:44
- Broadcast
- 26 OCTOBER 1941
- --------------------------------------------------------------------------------
- BEETHOVEN:
- Piano Concerto No. 4 in G, op. 58
- 8. I. Allegro moderato 15:40
- 9. II. Andante con moto 4:29
- 10. III. Rondo: Vivace 9:29
- (Symphony Orchestra Conducted by John Barbirolli)
- BEETHOVEN:
- Piano Sonata No. 14 in C-sharp Minor, op. 27, no. 2, "Moonlight"
- First Movement - Adagio sostenuto
- 11. U.S. Columbia (48946-4) unpublished--13 October 1916 5:04
- 12. U.S. Columbia (48946-5) unpublished--13 October 1916 4:12
- 13. Bell Telephone Hour--31 July 1944 5:40
- Hofmann's performance of Schumann's "Kreisleriana" is slightly abridged. It is only recently that pianists have made a practice of performing the many-movement works of Schumann in their entirety. The tradition of omitting sections of the work can be traced to Clara Schumann herself, who wrote to Brahms on 21 December 1858: "Everybody has been imploring me to play 'Kreisleriana', but they seem to me so unsuitable for a concert... I will make a selection, it would never do to play them all... "
- In his performances of "Kreisleriana" during the 1937/38 concert season Josef Hofmann omitted pieces three and four entirely; in the second piece he omitted the second intermezzo and the modulatory section which follows immediately. Concerning his plans to play the work in this abbreviated fashion, Hofmann wrote to his manager Richard Copley on 25 October 1937: "this may be an unusual thing to do, but it is justified, from [an] artistic point of view."
- Jozef Hofmann - piano
>>> Większa okładka A <<<
Josef Hofmann is arguably this century's greatest pianist. His memory was infallible, his repertoire was almost limitless and his technique was flawless. Hofmann is a legend and his final Casimir Hall Recital on 7 April 1938 is the pinnacle of a remarkable career. It is no wonder that this is one of the most anticipated piano recordings to debut on CD. Also included on this, the sixth in a series of eight volumes of the complete works of Josef Hofmann, is a 1936 broadcast of Beethoven's "Moonlight" Sonata which has never before been issued and an unforgettable 1941 performance of Beethoven's Piano Concerto No. 4 in G, op. 58. With great pride, I present one of the most important CD sets that we have produced. --Ward Marston
