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Najbardziej analogowe brzmienie na CD - XRCD!
TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
LINN Records - Delikatesy!
Winylowy niezbędnik
ClearAudio
Elixir of Sound
Nowa, jeszcze bardziej skuteczna receptura! Najlepszy na rynku płyn do igieł gramofonowych
ClearAudio
Poziomica gramofonowa - Dosenlibelle - Precision Bubble Level
Pierwszy i najważniejszy przyrząd do właściwej regulacji toru gramofonowego.
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Joao Gilberto
Amoroso
169.00 PLN
LP-180G 33rpm:
Nr kat.: SCR3053Label : SpeakersCorner
When this album landed on turntables in 1977, João Gilberto, the Nestor and father of bossa nova, had long enjoyed praise for his life's work which was still far from complete. His straightforward, sometimes dry and rasping voice sounds out distinctively in the mezzo piano and forges his totally unique and personal style of playing Latin jazz with international appeal. With "Wave," "Triste," "Caminhos Cruzados" and "Zingaro" he brings together on this LP four splendid numbers by his congenial fellow countryman Antônio Carlos Jobim. Just how universally applicable Gilberto's bossa mixtures are is shown by Gershwin's hit "'S Wonderful," which he performs in a completely new way. In lieu of the thrilling original, a completely new version of this musical classic is created that is agreeably free of dynamic effects and filled with wide-awake declamation. The question as to whether the well-tried mix of guitar and a refined rhythm group could have done without the lush strings is answered by listening closely: Claus Ogerman's arrangements are less a highly colorful enhancement than a carefully woven interplay of internal and opposing voices. On this album you have an exclusive team of instrumentalists who carry the melancholic mood of this music right to their fingertips. This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. Recording: November 1976 at Rosebud Studios, New York, by Al Schmitt Production: Tommy LiPuma and Helen Keane