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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Jeff Lorber, Chris Botti, Marlon McClain, Nathaniel Philips
Shades Of Soul
- 1 All Night Long 4:25
- 2 Then and Now 4:37
- 3 Enjoy Yourself 4:52
- 4 Gazpacho 3:50
- 5 Love Come Down 4:13
- 6 We Got to Live Together 4:36
- 7 Get Wid' It 4:57
- 8 San Vicente 5:10
- 9 Shades of Soul 5:09
- 10 Gangsta Jam 4:34
- 11 Hey Uh 3:52
- Jeff Lorber - keyboards
- Chris Botti - trumpet
- Marlon McClain - vocals, guitar
- Nathaniel Philips - double bass
Although his name does not appear on the outside of this CD, this is really a Jeff Lorber project. Lorber contributes funky keyboards and a drum machine. The music is quite derivative R&B-ish dance music, featuring the core trio of Lorber, guitarist-vocalist Marlon McClain and bassist-vocalist Nathaniel Phillips, joined by many guests. The late Art Porter, who passed away in 1996, is heard on two selections (one imagines that his part was saved and mixed in with other musicians in modern times) and there are also a pair of guest spots for trumpeter Chris Botti. Some of the music features vocals while other selections are easy listening instrumental pop, but there are no real surprises or spontaneity. At best, this set works fine in the background, suitable for parties in which no one is listening closely to the music. (AMG)
