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Najbardziej analogowe brzmienie na CD - XRCD!
TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
James Taylor
One Man Dog
- 1. One Man Parade
- 2. Nobody But You
- 3. Chili Dog
- 4. Fool For You
- 5. Instrumental I
- 6. New Tune
- 7. Back On the Street Again
- 8. Don't Let Me Be Lonely Tonight
- 9. Woh, Don't You Know
- 10. One Morning In May
- 11. Instrumental II
- 12. Someone
- 13. Hymn
- 14. Fanfare
- 15. Little David
- 16. Mescalito
- 17. Dance
- 18. Jig
- James Taylor - vocal
179.00 PLN
GOLD 24K:
Nr kat.: AFZ101Label : Audio Fidelity
Over the course of his career, singer/songwriter James Taylor has sold more than 40 million albums, and won more than 40 gold, platinum and multi-platinum awards as well as five Grammys. He was inducted into both the Rock and Roll Hall of Fame and the Songwriters Hall of Fame. James Taylor's fourth album was released in 1972 and it reached #4 on the U.S. Album charts. The recording is best described as a suite of brief musical experiments, 18 short pieces strung together, some of them instrumentals. The variety of musical styles illustrate the depth and range of Taylor's composition and performance genius. The album features the hit "Don't Let Me Be Lonely Tonight." Stylistically, One Man Dog runs the gammut from Taylor's familiar easy folk rock to country-flavored funk to smooth, bass driven jazz changes and everything in between. The songs are playful, unpredictable and timeless. The medley on side two features such things as chain saws, cross-cut saws and hammers to create a complex, layered rhythm. Absolutely beautiful from start to finish. All the musicians give a stellar performance including long-time sidemen, Craig Doerge, Leland Sklar, Russ Kunkel, and Danny Kortchmar, and a virtual who's who of late-'60s, early-'70s folk rock musicians, with a little jazz thrown in such as Alex, Hugh, and Kate Taylor, Carole King, Carly Simon, Dash Crofts, John Hartford, Red Rhodes, Randy and Michael Brecker, John McLaughlin and Linda Rondstadt, as well as producer, Peter Asher.
