Logowanie
Audiofilskie 'kartoniki mini LP'
Jakość LABORATORYJNA!
Elvis Presley, Tony Bennett, Nils Lofgren, Stan Getz, Astrud Gilberto, Lorin Maazel, Cincinnati Symphony Orchestra
Stereo Test Record vol. 1
AAD is a Digital Copy Of The Master Tape
SAMPLER HD-Mastering CD, SARASATE, PAGANINI, Salvatore Accardo, Charles Dutoit, London Philharmonic Orchestra
Carmen Fantasie / Zigeunerweisen / La Campanella / Il Carnevale di Venezia
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The Master Tape
SAMPLER HD-Mastering CD, KREISLER, WIENIAWSKI, TCHAIKOVSKY, Leonidas Kavakos, Peter Nagy
The Glory of Guarneri
AAD is a Digital Copy Of
The Master Tape
SAMPLER HD-Mastering CD, Sam Taylor
USD 8,200,000 Saxophone
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The Master Tape
SAMPLER HD-Mastering CD, TCHAIKOVSKY, ROSSINI, DELIBES, ADAM, Ernest Ansermet, Royal Opera House, Covent Garden
The Royal Ballet
AAD is a Digital Copy Of
The Master Tape
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Horace Silver
Jazz Has a Sense of Humor
- Horace Silver - piano
64.00 PLN
CD:
Nr kat.: 0502932Label : Verve
AllMusic Review by Michael G. Nastos [-] In this set of nine originals, the Horace Silver touch is clearly evident: happy, strong melodies; groovin' beats; Silver's deft, deliberate, bluesy piano comping and boppin' leads; and the joyful playing of saxophonist Jimmy Greene and trumpeter Ryan Kisor, which seems to be more intense in the context of Silver's unmistakable compositions. The CD's title is in reference to the album's content (and that the listener has to go along with Silver's adoration in a nonsexist way toward women). Some might be offended by the title "I Love Annie's Fanny," but it's just the name of a bouncy, mainstream jazz ditty that Silver is so well known for writing. There are some clichés that pop up in old Silver numbers that he seems to have rewritten. Phrases of "Cape Verdean Blues" creep into the urgent first movement of "The Mama Suite," and his typical groove waltz is extant in the opener "Satisfaction Guaranteed" and the closer "Where Do I Go From Here?" But his tunefully familiar, head-noddin' original funk is a vital as ever, and sounds pretty fresh compared to some of the trite neo-bop being reprocessed this past decade. Silver's light, spare, soulful style -- particularly when he uses his left hand in tandem with John Webber's bass -- is a sound for sore ears, one that has a universal, timeless appeal, crossing generational and commercial barriers. This is well-played music, a specialty Silver has envisioned and realized through the bulk of his career. Highly recommended.