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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
HAYDN, WEBER, CHOPIN, RIMSKY-KORSAKOV, GOUNOD, Pierre Fournier
Rendezvous Musical
- Pierre Fournier - cello
- HAYDN
- WEBER
- CHOPIN
- RIMSKY-KORSAKOV
- GOUNOD
Cellist Pierre Fournier is accompanied by pianist Lamar Crowson for compositional works written for the cello by such composers as Haydn, Weber, Chopin, Tchaikovsky, Brahms, Saint-Saens and more. "Fournier?s tone is a constant delight, warmly lyrical yet with a plangent edge that does wonders for the more pleading episodes of Dvorak?s Rondo ? a work written for the cello, and making the fact very clear. His phrasing is beautifully shapely in cantabile. And when scurrying around in Francoeur?s Allegro vivo, Rimsky-Korsakov?s Bumble-bee and Popper?s Elfentanz, he brings a bite to the accentuation which keeps the rhythm both tingling and disciplined. The Weber is a pleasant surprise, but I particularly enjoyed the Dvorak, the Schumann (meant for the horn but with cello as an op-tional alternative) and the Brahms... Brahms?s particular brand of deep-hued sentiment is wholly at one with the soul of the cello." - Gramophone