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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
LINN Records - Delikatesy!
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
HANDEL, The Parley of Instruments, Peter Holman
Handel in Hamburg - Almira, Nero, Rodrigo, Daphne and Florido
- Almira, HWV1
- 1 Suite. Movement 1: Ouverture [3'58]
- 2 Suite. Movement 2: Courante [1'16]
- 3 Suite. Movement 3: Bourree [0'35]
- 4 Suite. Movement 4: Menuet [0'43]
- 5 Suite. Movement 5: Rigaudon [0'56]
- 6 Suite. Movement 6: Rondeau [1'18]
- 7 Suite. Movement 7: Sarabande [2'13]
- 8 Suite. Movement 8: Gigue [0'59]
- 9 Suite. Movement 9: Chaconne [1'26]
- Suite in G minor, HWV453
- 10 Movement 1: Ouverture [2'27]
- 11 Movement 2: Entree [1'43]
- 12 Movement 3: Menuet 1 – Menuet 2 – Menuet 1 [2'47]
- 13 Movement 4: Chaconne [2'22]
- Oboe Concerto in G minor, HWV287
- 14 Movement 1: Grave [2'33]
- Frank De Bruine (oboe)
- 15 Movement 2: Allegro [1'43]
- Frank De Bruine (oboe)
- 16 Movement 3: Sarabande. Largo [1'49]
- Frank De Bruine (oboe)
- 17 Movement 4: Allegro [1'47]
- Frank De Bruine (oboe)
- Suite from the operas Florindo and Daphne, HWV336, 352-4
- 18 Movement 01: Ouverture [3'32]
- 19 Movement 02: Sarabande [1'58]
- 20 Movement 03: Gavotte [0'40]
- 21 Movement 04: Menuet [1'19]
- 22 Movement 05: Allemande [0'41]
- 23 Movement 06: Bourree – Allemande [1'09]
- 24 Movement 07: Menuet [1'24]
- 25 Movement 08: Allemande [1'02]
- 26 Movement 09: Coro [1'17]
- 27 Movement 10: Allemande [0'53]
- 28 Movement 11: Rigaudon – Allemande [1'48]
- Rodrigo, HWV5
- 29 Overture. Movement 1: Ouverture [3'36]
- 30 Overture. Movement 2: Gigue [0'57]
- 31 Overture. Movement 3: Sarabande [2'06]
- 32 Overture. Movement 4: Matelot [1'16]
- 33 Overture. Movement 5: Menuet [1'15]
- 34 Overture. Movement 6: Bourree [1'05]
- 35 Overture. Movement 7: [Air] [1'03]
- 36 Overture. Movement 8: Menuet [1'07]
- 37 Overture. Movement 9: Passacaille [3'59]
- The Parley of Instruments - orchestra
- Peter Holman - conductor
- HANDEL
AMERICAN HANDEL SOCIETY RECORDING PRIZE -------------------------------------------------------------------------------- 'A highly entertaining collection. Delightful rarities from the young Handel' (Classic CD) 'A marvellous disc' (The Independent') 'The disc is warmly commended' (Fanfare) ------------------------ Handel arrived in Hamburg in 1703, aged eighteen. He spent four years in the city and wrote several works for the town's opera house. Hamburg opera was a rather eclectic beast at the time, drawing on Italian and French language and instrumental style alongside the native German. Handel fell happily into this genre; this CD brings together a selection of the delightful orchestral music (which tends to be in the French style) that Handel wrote there, some of it recorded for the first time.