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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
LINN Records - Delikatesy!
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
GORECKI, Reinbert de Leeuw, Schonberg Ensemble
Kleines Requiem, Lerchenmusik
- Male requiem dla pewnej polki (Little Requiem for a Certain Polka), Op. 66
- 1. I. Tranquillo - 08:52
- 2. II. Allegro impetuoso - Marcatissimo - 05:17
- 3. III. Allegro - Deciso assai - 02:37
- 4. IV. Adagio cantabile - 06:37
- Lerchenmusik (Music of the Larks), Op. 53
- 5. I. Lento - Largo - 15:19
- 6. II. Molto lento - Tranquillo. Cantabile - Dolce - 12:03
- 7. III. Andante moderato - Tranquillo, cantabile - 15:18
- Łączny czas:: 01:06:03
- Reinbert de Leeuw - conductor
- Schonberg Ensemble - orchestra
- GORECKI
59.00 PLN
CD:
Nr kat.: 8802060Label : Newton Classics
These works, from Gorecki’s small yet fastidious output, like his 1990s hit Symphony of Sorrowful Songs, are melodically inspired and spiritual in sensibility. The instrumental Kleines Requiem, scored for chamber ensemble, blends warm expressive directness with almost Brechtian alienation. The Lerchenmusik for clarinet, violin and piano is similarly elegiac. It plays with vastly differing tempos and suggests a stylistic debt to Messiaen. New booklet notes by Bernard Jacobson, an authority on 20th century Polish music. (Newton Classics) This is a rather Messiaen-ic study in contrasts: the opening five minutes is almost supernaturally calm and quiet, suddenly shattered by a shrill burst of violins and chimes that disappears as enigmatically as it appeared, shifting between extremes of amplitude; in the second movement, a brash tumult of horns gives way to solitary clarinet, underpinned by doomy piano monochord, while the finale is almost completely stationary and barely audible, a still string pad with wanly tolling chimes. “Lerchenmusik” features a similarly startling blend of calm and stridency, before the final movement offers a gloss on the theme of Beethoven’s 4th Piano Concerto. (Andy Gill - The Independent, April 2011)
Płyty wytwórni Newton Classics - w naszej ofercie
