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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Francisco Vinas
The Complete Opera Recordings
Galeria okładek
ZamknijGaleria okładek
- The Complete Francisco Viñas
- FRANCHETTI Germania:: Studenti, udite [2:05]
- Giuseppe VERDI (1813-1901) Aida: Celeste Aida [3:41]
- Richard WAGNER (1813-1883)
- Meistersinger: Dall’alba tinto (Morgenlich leuchtend) [3:35]
- Die Walküre: Cede il verno ai rai (Winterstürme) [3:26]
- Lohengrin: Ben altra prova (Höchstes Vertrau’n) [3:49]
- Lohengrin: Da voi lontan (In fernem Land) [3:00]
- Lohengrin: S’ei torna alfin (Mein lieber Schwan!) {Second part only} [3:05]
- Giacomo MEYERBEER (1791-1864) L’Africaine: O paradiso [3:32]
- Giuseppe VERDI (1813-1901) Aida: Celeste Aida [3:33]
- GASTALDON Donna Clara [3:20]
- GUETARY Mi niña [3:07]
- ÁLVAREZ La partida [3:35]
- Giacomo MEYERBEER (1791-1864) L’Africaine: O paradiso [3:33]
- AMEDEI Se ti dicessi [2:19]
- MASCHERONI Lorenza: Ecco mia giovinezza [2:38]
- Richard WAGNER (1813-1883)
- Lohengrin: Di’, non t’incantan (Atmest du nicht mit mir) [2:42]
- Lohengrin: Da voi lontan (In fernem Land) [4:32]
- Lohengrin: Cigno fedel (Mein lieber Schwan!){First half only}[2:32]
- Gaetano DONIZETTI (1797-1868)
- Lucrezia Borgia: Di pescator ignobile [2:33]
- ÁLVAREZ
- A Granada [3:18]
- La partida [3:47]
- GAZTAMBIDE Un pleito [2:40]
- GUETARY
- Maria [3:07]
- Mi niña [3:09]
- Giacomo MEYERBEER (1791-1864)
- Le Prophete: Sopra Berta (Pour Bertha) [2:00]
- Gaetano DONIZETTI (1797-1868)
- Lucrezia Borgia: Di pescator ignobile [2:33]
- Giuseppe VERDI (1813-1901)
- Un Ballo in Maschera: Ma se m’è forza perderti [2:53]
- Otello: Ora e per sempre [2:27]
- GUETARY Lily [2:07]
- Georges BIZET (1838-1875) Carmen: Il fior che avevi a me tu dato (La fleur que tu m’avais jetée) [3:11]
- Richard WAGNER (1813-1883)
- Meistersinger: Nel verno al piè (Am stillen Herd in Winterszeit) [2:34]
- Meistersinger: Dall’alba tinto (Morgenlich leuchtend){Abridged} [2:38]
- Lohengrin: Di’, non t’incantan (Atmest du nicht mit mir) [2:45]
- Lohengrin: Ben altra prova (Höchstes Vertrau’n) [3:24]
- Lohengrin: Da voi lontan (In fernem Land) [4:40]
- Lohengrin: Cigno fedel (Mein lieber Schwan!) [5:51]
- Giuseppe VERDI (1813-1901) Aida: Celeste Aida [3:42]
- Giacomo MEYERBEER (1791-1864) L’Africaine: O paradiso [3:38]
- Richard WAGNER (1813-1883) Die Walkure: Cede il verno ai rai (Winterstürme) [2:52]
- Giacomo MEYERBEER (1791-1864) Le Prophete: Sopra Berta (Pour Bertha) [1:56]
- Amilcare PONCHIELLI (1834-1886) La Gioconda; Cielo e mar [2:43] FRANCHETTI
- Germania:: Studenti, udite [2:23]
- Giuseppe VERDI (1813-1901)
- Aida: Pur ti riveggo…Fuggiam gli ardori with Esther Mazzoleni (soprano) [7:57]
- Otello: Ora e per sempre [2:29]
- Georges BIZET (1838-1875)
- Carmen : Il fior che avevi a me tu dato (La fleur que tu m’avais jetée) [3:17]
- FRANCHETTI Germania: No non chiuder gli occhi vaghi [2:10]
- Richard WAGNER (1813-1883) Meistersinger: Dall’alba tinto (Morgenlich leuchtend) [3:43]
- Arrigo BOITO (1842-1918)
- Mefistofele: Dai campi, dai prati [2:37]
- Mefistofele: Giunto sul passo estremo [3:18]
- Amilcare PONCHIELLI (1834-1886) La Gioconda; Cielo e mar [2:47]
- Richard WAGNER (1813-1883)
- Tannhäuser: Inno a Venere…Te vò lodar (Dir töne Lob!) [1:57]
- Tannhäuser: Col cor contrito (Inbrunst im Herzen) [Romerzählung] [9:22]
- FILIASI In riva al mare “dedicated to the celebrated artist by the composer” [3:02]
- TIRINDELLI O primavera [2:53]
- Richard WAGNER (1813-1883)
- Rienzi: O Padre Santo (Allmächt’ger Vater) [6:22]
- Tannhauser: Lodar tu devi il Dio (Den Gott der Liebe sollst du preisen) with Maria Alessandrovich (soprano) [2:36]
- Tannhauser: Preghiera (Auch ich darf ... Zum Heil den Sündigen zu führen) [3:13]
- Tristan und Isolde: Su noi discendi (O sink’ hernieder) with Maria Alessandrovich (soprano) [5:06]
- Parsifal: Amfortas! La piaga! (Amfortas! Die Wunde!) [8:44]
- Parsifal Si salvo, assolto (Sei heil, entsündigt und entsühnt) [3:06]
- Giacomo MEYERBEER (1791-1864) L’Africaine: O paradiso [3:02]
- CABALLERO El lucero del Alba [3:10]
- COTÒ Ensayo de Lios [3:26]
- ÁLVAREZ Los ojos negros [3:08]
- CHAPÍ El milagro de la Virgen [3:11]
- Pietro MASCAGNI (1863-1945) Serenata [3:23]
- Carl Maria von WEBER (1786-1826) Die Freischutz: No, più soffrir… La finestra s’apre (Nein, länger trag’ ich nicht die Qualen… Jetzt ist wohl ihr Fenster offen) [6:12]
- Richard WAGNER (1813-1883) Lohengrin: Da voi lontan (In fernem Land) [4:47]
- Francisco Viñas (tenor)
- Francisco Vinas - tenor
Viñas possessed a powerful, heroic-tenor voice that was beautifully focused with great warmth, which made him well suited for a wide range of roles including Wagner in Italian. Viñas (1863–1933) began his studies at the Conservatory in Barcelona, where he made his debut in 1888. He quickly rose to great success in Italy and soon was engaged at opera houses around the world. He was especially loved at La Scala and was a popular member of the Metropolitan Opera from 1893–1897. This three CD set is the first complete Viñas edition ever assembled including some extremely rare Fonotipia titles. This set reveals a beautiful voice and consummate musician who was often referred to as the successor to the great Spanish tenor Julien Gayarré.
