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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
FAURE, DEBUSSY, SZYMANOWSKI, CHOPIN, Rafal Blechacz, Bomsori Kim
Recital
- Rafal Blechacz - piano
- Bomsori Kim - violin
- FAURE
- DEBUSSY
- SZYMANOWSKI
- CHOPIN
379.00 PLN
2 LP-180G 33rpm:
Nr kat.: LPI43195Label : Analogphonic
180g Audiophile Virgin Vinyl Double LP! Mastered from the Original Masters of Universal Music by Rainer Maillard at Emil Berliner Studios! Pressed at Optimal in Germany! First Time Ever on Vinyl! It seems that Blechacz has done well to find Kim, too, because there's an audible meeting of musical minds across their exploration of French lyricism and Polish melancholy, heard right from the start of the opening Fauré Violin Sonata No 1. First, Blechacz's picked-out melody sings out brightly with passionate amour from within lucid-textured cascading figures. Then in comes Kim, counterfoiling her equal romance with a clean, supple sound. Engineering-wise, as well, there's a nicely egalitarian balance between the two of them. What does remain constant, is the sheer energy and drive, aided by Kim's sound itself: direct and ardent, with mahogany-hued lower registers contrasting with sweetly ringing, singing upper ones. This all combines to especial effect with the Debussy, in an unusually driven, emotional-ly strong reading of this autumnal work. One of Kim's most effective gifts here is her spotlighting of Debussy's linguistic debt to the Orient; listen in the first movement to how grace-note inflections and sur la touche playing is so very husky and languorous that the parallels with Asian voice flute are unmissable. (Gramophone)