>>> Płyta do odtworzenia w każdym typie czytnika CD i DVD. Technologia PureFlection, bazująca na sposobie produkcji glasmasterów nie dotychczasową, tradycyjną metodą przed odcisk, ale z wykorzystaniem procedury tworzenia matrycy Bluray, w niespotykanym dotychczas stopniu pozwala precyzyjnie odwzorować walory taśmy-matki. Do absolutnego minimum ograniczone zostały typowe dla dotychczasowych metod produkcji CD błędy (m.in. jitter). Zdaniem Winstona Ma - połączenie technlologii UltraHD i metody PurreReflection to obecnie najwyższy na świecie poziom produkcji płyt CD.<<<
A Better CD Production Process - The Pure Reflection (PureFlection) Process:
FIM UHD CDs now sound undeniably better than ever! FIM's first priority is to locate a factory that at offers the latest technologies throughout its entire production chain, from the best A-grade polycarbonate materials, to testing and accurate quality control tools. The factory must produce a detailed specification sheet which ensures the discs produced demonstrate the same quality as the original recording.
To assure us of the best results, FIM has enlisted the help of one of the most experienced mastering engineers in the industry to craft the glass disc for the final replication process. Winston Ma continually maintains close rapport with him, as well as the original recording engineers, the mastering engineers and the manufacturer to achieve consensus regarding musicality and the sound spectrum.
FIM's glass mastering-disc engineer maintains expertise in the latest technologies: he currently uses a special blu-ray recordable mastering thermal process technique to create small smooth grooves which result in precision fidelity. He is meticulous in ensuring the best track pitch and the distance between the spiral of the pits, to reduce the amount of noise the tracking servo in the drive picks up from adjacent tracks, thus ensuring the best parameters on Cross Talk (XT) by minimizing the servo noise of the Drive during playback of the replica results.
To further ensure the best quality, FIM stipulates the most extensive test specification requirements. Pure Reflection (PureFlection) discs show in every CD booklet the full spectrum of specification of a given CD in the following categories:
BLER (17 items)
BERL (9 items)
Physical (6 items)
Jitter (6 items)
E22 Graph and
BLER Graph
The concept of UHD 32-Bit PureFlection is the transformation of a superior sound into something truly exceptional, enhancing the experience without interfering in it. Sit back, relax and listen to the new sound of a UHD 32-Bit PureFlection CD!
>>> Płyta do odtworzenia w każdym typie czytnika CD i DVD. Technologia PureFlection, bazująca na sposobie produkcji glasmasterów nie dotychczasową, tradycyjną metodą przed odcisk, ale z wykorzystaniem procedury tworzenia matrycy Bluray, w niespotykanym dotychczas stopniu pozwala precyzyjnie odwzorować walory taśmy-matki. Do absolutnego minimum ograniczone zostały typowe dla dotychczasowych metod produkcji CD błędy (m.in. jitter). Zdaniem Winstona Ma - połączenie technlologii UltraHD i metody PurreReflection to obecnie najwyższy na świecie poziom produkcji płyt CD.<<<
A Better CD Production Process - The Pure Reflection (PureFlection) Process:
FIM UHD CDs now sound undeniably better than ever! FIM's first priority is to locate a factory that at offers the latest technologies throughout its entire production chain, from the best A-grade polycarbonate materials, to testing and accurate quality control tools. The factory must produce a detailed specification sheet which ensures the discs produced demonstrate the same quality as the original recording.
To assure us of the best results, FIM has enlisted the help of one of the most experienced mastering engineers in the industry to craft the glass disc for the final replication process. Winston Ma continually maintains close rapport with him, as well as the original recording engineers, the mastering engineers and the manufacturer to achieve consensus regarding musicality and the sound spectrum.
FIM's glass mastering-disc engineer maintains expertise in the latest technologies: he currently uses a special blu-ray recordable mastering thermal process technique to create small smooth grooves which result in precision fidelity. He is meticulous in ensuring the best track pitch and the distance between the spiral of the pits, to reduce the amount of noise the tracking servo in the drive picks up from adjacent tracks, thus ensuring the best parameters on Cross Talk (XT) by minimizing the servo noise of the Drive during playback of the replica results.
To further ensure the best quality, FIM stipulates the most extensive test specification requirements. Pure Reflection (PureFlection) discs show in every CD booklet the full spectrum of specification of a given CD in the following categories:
BLER (17 items)
BERL (9 items)
Physical (6 items)
Jitter (6 items)
E22 Graph and
BLER Graph
The concept of UHD 32-Bit PureFlection is the transformation of a superior sound into something truly exceptional, enhancing the experience without interfering in it. Sit back, relax and listen to the new sound of a UHD 32-Bit PureFlection CD!
Erich Kunzel conducts the Cincinnati Pops Orchestra for selections from the films Jurassic Park, The Hunt For Red October, Terminator, Hook, The Abyss, and Robin Hood. Over the years, Michael Bishop's sound effects, included on many of the Cincinnati Pops recordings, gave a special character to those CDs, enhancing the "themes" of the recordings and delighting listeners with their realism. The lion and tiger roars used in various recordings, (including one of the many sound layers for T-Rex on the award-winning Great Fantasy Adventure Album) were made on location in the lions' den and tigers' cages of the Cleveland Metroparks Zoo. "Recording the lion roars was a memorable experience," says Bishop. He recalls having had the intuition to start his recorders running prior to arriving at the zoo's "cathouse," in the morning before they opened to the public. The lions, says Bishop, were docile until he set foot inside their "house" at which point they went crazy, roaring and jumping all over the place. "I was able to record some ferocious roars that day," he says. Those roars were eventually mixed, along with recordings of whinnies from Bishop's twenty-four year-old Arabian horse, Ricky, to form the bone-chilling beasts heard.