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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Eric Clapton
I Still Do
- Eric Clapton - vocals, guitar
129.00 PLN
SHM-CD:
Nr kat.: UICP1173Label : UNIVERSAL (Japan)
AllMusic Review by Stephen Thomas Erlewine [-] Reuniting with producer Glyn Johns, the steady hand who guided Slowhand back in 1977, doesn't provide Eric Clapton with much of a jolt for his 23rd studio album, but it does provide the veteran guitarist with no small degree of nicely weathered warmth. Such mellowed good vibes are the calling card of I Still Do, which otherwise proceeds along the same path Clapton's records follow in the 21st century: he blends covers of well-worn blues standards with a couple of J.J. Cale tunes, a few old pop standards, a Bob Dylan chestnut, and original songs that draw upon aspects of all of these. "Spiral" and "Catch the Blues," the two EC originals that anchor the middle of the album, are handsomely crafted tunes that complement the rest of the record; they don't draw attention to themselves but rather show how hard "Cypress Grove" swings and how "Alabama Woman Blues" crawls, and reveal the lightness of "I Dreamed I Saw St. Augustine" and "Little Man, You've Had a Busy Day." Although "I'll Be Seeing You" ends I Still Do on a bit of a wistful note, this album is neither melancholy nor some kind of summation. It is simply Clapton being Clapton, enjoying the company of his longtime band and songs he's loved, and here he's fortunate enough to be produced by Johns, whose expert touch gives this weight and color absent from the otherwise amiable Old Sock. That's enough to give I Still Do some resonance because Johns focuses not on the songs but the interplay: it's not a vibe record so much as it's an album about the interplay of old pros who still get a kick playing those same old changes years after they've become second nature.
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