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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
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Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Elvis Presley
How Great Thou Art
ZamknijGaleria okładek
- Elvis Presley - How Great Thou Art
- 01. How Great Thou Art (3:05)
- 02. In the Garden (3:13)
- 03. Somebody Bigger Than You and I (2:29)
- 04. Farther Along (4:08)
- 05. Stand by Me (2:30)
- 06. Without Him (2:31)
- 07. So High (1:59)
- 08. Where Could I Go But to the Lord (3:41)
- 09. By and By (1:54)
- 10. If the Lord Wasn't Walking by My Side (1:40)
- 11. Run On (2:25)
- 12. Where No One Stands Alone (2:47)
- 13. Crying in the Chapel (2:27)
- Elvis Presley - vocal
59.00 PLN
CD:
Nr kat.: NB83758Label : BMG
119.00 PLN
CD:
Nr kat.: SICP5638Label : SONY (Japan)
AllMusic Review by John Bush How Great Thou Art, Elvis' second gospel album, had very different conceptions of gospel music on its two sides. The first side, including the title track and "In the Garden," was very high church, with hymnal readings and quietly burbling organ accompaniment. The second side was a far more exciting proposition, with an alternately rocking or swinging piano, some breakneck tempos, and the type of performances more apt to be heard at the gospel singing meetings held in Memphis during Elvis' early years than at church (or, at least, most churches). Fans who prefer either Elvis the crooner or Elvis the rocker will, likewise, have different feelings about each side. On the first, Elvis is full-throated and sincere; on the second, it's easy to picture him cracking a smile as he leads the quartet on "So High" and "By and By."
