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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Ella Fitzgerald
Ella Fitzgerald Sings The Jerome Kern Song Book
- 1. Let’s Begin
- 2. A Fine Romance
- 3. All The Things You Are
- 4. I’ll Be Hard To Handle
- 5. You Couldn’t Be Cuter
- 6. She Didn’t Say Yes
- 7. I’m Old Fashioned
- 8. Remind Me
- 9. The Way You Look Tonight
- 10. Yesterdays
- 11. Can’t Help Loving That Man
- 12. Why I Was Born?
- Ella Fitzgerald - vocal
Ella Fitzgerald is rightfully known for her superb, often-definitive interpretations of Cole Porter, Irving Berlin, Rodgers & Hart, and Gershwin tunes, which are well documented in her SONG BOOK series. The addition of SINGS THE JEROME KERN SONG BOOK to Fitzgerald's discography is welcome. Recorded in 1963, the album presents Fitzgerald's voice as golden as ever. Yet age was beginning to color her singing a bit, and that texture adds a beautiful dimension to songs like the dark "Why Was I Born?" and the yearning "Can't Help Lovin' Dat Man." Fitzgerald's SONG BOOK outings are usually graced by the orchestra and arrangements of Nelson Riddle. Riddle's charts for the JEROME KERN SONG BOOK are typically smart and swinging, with a lush, full sound that balances punch and lyricism. Fitzgerald's ebullient delivery and honey-rich timbre bring out the humor of "A Fine Romance," the wistfulness of "I'm Old Fashioned," and the tender romance of "The Way You Look Tonight," putting her distinctive stamp on each. This set is sure to please fans of Kern and big-band standards. For aficionados of Fitzgerald's other SONG BOOK albums, this is a must.
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