Logowanie
KOLEKCJE!
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
DUFAY, PEROTINUS, Da VENOSA, CAGE, PART, Singer Pur, Go Guitars
Electric Seraphim
- 1. Perotinus (um 1200)
- Sederunt principes
- 2. Fredrik Zeller (geb. 1965)
- PeroPop Sederunt (2003)
- 3. Bernhard Weidner (geb. 1965)
- Schwebende Lerchen (2003)
- Rilkefragment für 6-stimmiges Vokalensemble und 5 E-Gitarren
- 4. Matthäus Pipelare (ca. 1450 - 1515)
- Memorare Mater Christi
- 5. John Cage (1912 - 1992)
- Five / song books
- 6. Carlo Gesualdo da Venosa (ca. 1562 - 1613)
- Languisce al fin
- 7. Michael Hirsch (geb. 1958)
- anlaufen aufschwingen abstürzen (2000/2003)
- Monolog für 5 elektrische Gitarren und 6 Sänger
- 8. Arvo Pärt (geb. 1935)
- Summa (1980)
- 9. Guillaume Dufay (ca. 1400-1474)
- Ecclesiae militantis / Sanctorum arbitrio / Bella canunt gentes (1431)
- Singer Pur
- Go Guitars - group
- DUFAY
- PEROTINUS
- Da VENOSA
- CAGE
- PART
59.00 PLN
CD:
Nr kat.: KUK98Label : K&K Verlagsanstalt
New soundscapes for voices and electric guitars Five electric guitarists meet an a cappella formation of classical bias. With "Electric Seraphim", this unique musical constellation launches the listener into totally new soundscapes. The program of vocal and vocal/guitar pieces is an experiment that forms a symbiosis; the old masters encounter contemporary compositions created exclusively for this project, compelling their essence into the modern world. The result is arresting and surprisingly homogeneous. The basically intellectually abstract fusion of disparate musical composition and sound forms lying several centuries apart, reveal new perspectives relating to the development of so-called "serious music", these lying not in the niches of the abstract but rather in the synthesis of voice and instrument. This becomes apparent in, for example, the composition by Fredrik Zeller from the year 2003, Pero Pop - Sederunt, whose atmospheric content reflects that of the Sederunt principes of Perotinus from the 12th Century.