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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
LINN Records - Delikatesy!
Winylowy niezbędnik
ClearAudio
Elixir of Sound
Nowa, jeszcze bardziej skuteczna receptura! Najlepszy na rynku płyn do igieł gramofonowych
ClearAudio
Poziomica gramofonowa - Dosenlibelle - Precision Bubble Level
Pierwszy i najważniejszy przyrząd do właściwej regulacji toru gramofonowego.
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
DITTERSDORF, VANHAL, Chi-chi Nwanoku, Swedish Chamber Orchestra, Paul Goodwin
Double Bass Concertos
- Double Bass Concerto in D major Johann Baptist Vanhal (1739-1813)
- 1 Movement 1: Allegro moderato [7'55]
- 2 Movement 2: Adagio [9'48]
- 3 Movement 3: Allegro [6'51]
- Double Bass Concerto No 1 in D major Carl Ditters von Dittersdorf (1739-1799)
- 4 Movement 1: Allegro [6'49]
- 5 Movement 2: Adagio [5'41]
- 6 Movement 3: Presto [6'47]
- Double Bass Concerto No 2 in D major Carl Ditters von Dittersdorf (1739-1799)
- 7 Movement 1: Allegro moderato [7'08]
- 8 Movement 2: Adagio [6'41]
- 9 Movement 3: Allegro [4'22]
- Double Bass Concerto No 2 in D major Carl Ditters von Dittersdorf (1739-1799), arr. Chi-Chi Nwanoku (b?)
- 10 Movement 1a: Allegro moderato [7'24]
- Chi-chi Nwanoku - double bass
- Swedish Chamber Orchestra - orchestra
- Paul Goodwin - conductor
- DITTERSDORF
- VANHAL
Three attractive and lively concertos by two exact 19th-century contemporaries (they were both born in 1839) - the Viennese Dittersdorf and the Bohemian Vanhal who on at least one occasion played string quartets with Mozart and Haydn. (Haydn and Dittersdorf played violins; Mozart played viola; Vanhal the cello.) This seems to be the only recorded pairing of the two Dittersdorf concertos. Chi-chi Nwanoku (the accent falls on the first syllable) is a familiar figure in the line-up of many of London's 'period instrument' ensembles (she is Principal Bass with the Orchestra of the Age of Enlightenment) and has appeared on countless recordings. This is her first solo recording. Chi-chi's first career was as a 100-metre sprinter, competing at `national' level, but this sadly ended with a knee injury. Fortunately her other passionate hobby as a pianist had continued alongside her athletics, and she was able at the age of eighteen to take up the double bass and pursue a career in music, studying at the Royal Academy of Music in London and with Franco Petracchi in Rome. She is now Professor of Double Bass at Trinity College of Music in London and was made a 'Fellow' of the Royal Academy of Music in 1998.Chi-chi plays an instrument by Nicolas Amati (Cremona), dated 1631. ------------------------------------ 'A most enjoyable disc' (BBC Music Magazine) ‘Nwanoku’s playing is both athletic and eloquent in these appealing bass concertos. [She] plays her solo music with due vivacity and skill … as graceful as can be imagined on her instrument. Paul Goodwin’s neat and sympathetic accompaniments, his leisurely pacing and his judicious balance…make this disc even more appealing’ (Gramophone) 'An elegant performance. Beautifully played and phrased by Nwanoku, who reveals the lyrical potential of the solo bass' (The Strad) 'Chi-chi Nwanoku is a delightful soloist. [Her] light-as-air sound and technical clarity are a continual source of pleasure' (International Record Review) 'An ideal coupling, very well recorded' (The Penguin Guide to Compact Discs) 'A treat' (Amazon.co.uk)
