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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Count Basie and His Orchestra
Basie's Beatle Bag
ZamknijGaleria okładek
- Count Basie and His Orchestra - orchestra
Somebody forgot to tell the jazz Count that the Fab Four were the enemies. While purists may disparage Basie's crossover attempt, precedents had already been set by his Quincy Jones arranged "Hits of the '50s & '60s," and "More Hits of the '50s & '60s." On board to handle the arrangements for this Beatle fest was the multi-talented Cuban-American, Chico O'Farrill. All these tracks, whether they be slow ("Michelle"), medium ("All My Loving") or fast ("Help!"), swing hard thanks to the band that had defined the term 30 years before. Basie gives a ghostly backdrop to some of the tunes switching from piano to organ. Alto saxophonist Marshall Royall does a Johnny Hodges impersonation to the hilt with his reading of "Do You Want to Know a Secret." Yes, the British invasion was another nail in the proverbial coffin in which jazz was to remain for some time. But with combinations of material and style like this, rapprochement--maybe even a musical marriage--could not be far off. Digitally remastered by Kevin Reeves. This is part of the Verve By Request series. Recorded at T.T.G. Sunset Recorders, Hollywood, California on May 3-5, 1966.
