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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
CORBETTA, La Ghirlanda Mosicale
A guitarist from Pavia across Europe
- 1. Mantovana, for ensemble (after the anonymous 'Fuggi, Fuggi, ballo di Mantova')
- 2. Sinfonia, for soprano, archlute & theorbo
- 3. Folìa, for ensemble (after the anonymous 'L'ausençia, cançion sobre las folias')
- 4. Sinfonia à 2, for guitar & virginal
- 5. Passecaglia
- 6. Spagnoletto, for ensemble (after the anonymous 'O begli occhi o belle chiome')
- 7. Suite al quinto tuono: Preludio
- 8. Suite al quinto tuono: Almanda
- 9. Suite al quinto tuono: Sarabanda
- 10. Suite al quinto tuono: Sarabanda
- 11. Suite al quinto tuono: Chiacona
- 12. Gavotte 'aymée du Duc de Monmouth', for ensemble
- 13. Al[le]m[anda] del 5.to un tuon più Alto, for guitar (from Varii capricii, 1643)
- 14. Sua Corrente, for guitar
- 15. Sarabanda per la B, for guitar
- 16. Passacaglia sopra C, for guitar in D major
- 17. Sarabande 'Tombeau de Madame', for ensemble
- 18. Suite (Prelude en C sol ut fa b mol) for guitar (La guitarre royalle, 1671): Prelude en C sol ut fa b mol
- 19. Suite (Prelude en C sol ut fa b mol) for guitar (La guitarre royalle, 1671): Sarabande (Tombeau de Madame)
- 20. Suite (Prelude en C sol ut fa b mol) for guitar (La guitarre royalle, 1671): Passacaille
- 21. Suite (Prelude en C sol ut fa b mol) for guitar (La guitarre royalle, 1671): Caprice de Chaconne
- 22. Allemande 'chérie du Duc d'York', for ensemble
- 23. Trompette Tambour de France et de Suisse, for guitar (from La Guitarre Royalle, 1671)
- 24. Autre Chaconne & Folie, for guitar: Autre chaconne
- 25. Autre Chaconne & Folie, for guitar: Folie
- 26. Allemande 'aymée du Roy', for ensemble
- 27. Tombeau de Mr. Francisque Corbet (Allemande grave), for guitar & theorbo
- La Ghirlanda Mosicale - orchestra
- CORBETTA
59.00 PLN
CD:
Nr kat.: CDS517Label : Dynamic (Italia)
Francesco Corbetta was a well-known personality in the musical life, not just of Pavia, but also of various European courts. Born around 1615, he was active in Bologna, and in Mantua. He travelled through Spain, Italy, Germany, France, England and the Low Countries. In 1676, he settled definitively in Paris where he died in April 1681, leaving a musical bequest of remarkable entity. His most precious virtue was to have made the guitar speak the true language of love. His fame did not depend exclusively on his skill as a guitar performer but also on the originality of his composition. Corbetta experiments and seeks new solutions and adopts different styles: His only preoccupation is to affirm categorically the validity and originality of a purely guitar repertoire, quite distinct from writing for the lute. The selection proposed here offers an overview of the musician's stylistic sweep. Excerpts from: Varii Capricii per la Ghittara Spagnuola, 1643 Varii scherzi di suonate per la chitara spagnuola.libro quarto, 1648 La Guitarre Royalle dediée au Roy de la Grande Bretagne, 1671 La Guitarre Royalle dediée au Roy, 1674 De gli scherzi armonici trovati, e facilitati in alcune curiosissime suonate sopra la chitarra spagnuola, 1639 Orchestra La Ghirlanda Mosicale: Ugo Nastrucci, chitarra barocca e tiorba Massimo Lonardi, arciliuto Giangiacomo Pinardi, chitarra barocca Michele Pasotti, chitarra barocca e tiorba Anna Simboli, soprano Monica