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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
LINN Records - Delikatesy!
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
COPLAND, GERSHWIN, Mark Anderson
Four Piano Blues & Piano Sonata
ZamknijGaleria okładek
- Aaron Copland (1900-1990)
- Four Piano Blues
- 1 I For Leo Smit - freely poetic 2.14
- 2 II For Andor Foldes - soft and languid 2.26
- 3 III For William Kapell - muted and sensuous 2.29
- 4 IV For John Kirkpatrick - with bounce 1.44
- Piano Sonata (1939/41)
- 5 I Molto moderato (freely expressive) 7.38
- 6 II Vivace (delicate, restless) 5.28
- 7 III Andante sostenuto 10.10
- George Gershwin (1898-1937)
- Three Preludes
- 8 I Allegro ben ritmato e deciso 1.32
- 9 II Andante con moto e poco rubato 3.35
- 10 III Allegro ben ritmato e deciso 1.21
- 11 The Man I Love 2.21
- 12 I'll Build a Stairway to Paradise 0.35
- 13 Fascinating Rhythm 0.58
- 14 Oh, Lady Be Good 0.53
- 15 Somebody Loves Me 1.03
- 16 Sweet and Low Down 1.06
- 17 'S Wonderful 0.56
- 18 Liza 2.10
- 19 Who Cares? 1.38
- 20 I Got Rhythm 1.54
- 21 George Gershwin (arr. Daly), An American in Paris 17.03
- Aaron Copland (1900-1990)
- Scherzo humoristique: Le chat et la souris (The Cat and the Mouse) 4.46
- Recorded in the Concert Hall of the Nimbus Foundation, 17 April 1998.
- Mark Anderson - piano
- COPLAND
- GERSHWIN
49.00 PLN
CD:
Nr kat.: NI5585Label : Nimbus Records
"In a world where transient glitter is often mistaken for pianistic excellence, Anderson offered that rare commodity: an ability to speak through music without hint of artifice." The Washington Post Reviews "In a world where transient glitter is often mistaken for pianistic excellence, Anderson offered that rare commodity: an ability to speak through music without hint of artifice." The Washington Post "Mark Anderson gives an outstanding account of the Piano Sonata, making it seem emotionally warmer and texturally and harmonically less spare than usual. His reading will surely make new friends for the work. The Four Piano Blues are in Copland's easily accessible style and are also very well characterized, while the witty portrait of Le chat et la souris makes a brilliant encore for what is a live recital in Nimbus's own concert hall." The Penguin Guide