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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
COPLAND, English Symphony Orchestra, William Boughton
Appalachian Spring / Rodeo, Quiet City / Nonet / Fanfare for the Common Man
Galeria okładek
ZamknijGaleria okładek
- 1 Rodeo - Four Dance Episodes I Buckaroo Holiday 7.37
- 2 II Corral Nocturne 4.02
- 3 III Saturday Night Waltz 4.35
- 4 IV Hoe-Down 3.20
- 5 Quiet City 9.19
- 6 Nonet for strings 18.36
- 7 Appalachian Spring 24.23
- 8 Fanfare for the Common Man 3.23
- Recorded at the Great Hall, Birmingham University, 5-7 January, 1990
- English Symphony Orchestra - orchestra
- William Boughton - conductor
- COPLAND
59.00 PLN
CD:
Nr kat.: NI5246Label : Nimbus Records
"William Boughton approaches both ballets clearly and objectively, which is Copland's own tradition. The discovery of the whole record - which at 75 minutes is very good measure - ought to be the Nonet. We must be grateful for the chance of getting to know this piece in a modern recording." Peter Dickinson, Gramophone "The recording is both technically first-rate and generous, the orchestra is superb, and Boughton brings an infectious enthusiasm to the proceedings...welcome, elucidating, and refreshing..." Fanfare