Ta strona wykorzystuje mechanizm ciasteczek (cookies) do poprawnego działania. Więcej informacji na stronie Polityka Prywatności. Zamknij.

COPLAND, Andrew Litton, Dallas Symphony Orchestra

A Copland Profile

  • 01. Copland - Andrew Litton - A Copland Profile - MIX
00:00
00:00
00:00
  • Copland - Andrew Litton - A Copland Profile - MIX
  • The Red Pony – Film Suite for Orchestra
  • Music for the Theatre
  • Symphony for Orchestra and Organ
Add to Basket

69.00 PLN

CD:

Nr kat.: DE3221
Label  : DELOS (USA)

Dolby Surround - Virtual Reality

The dynamic Litton/Dallas present a profile of the quintessential American composer Aaron Copland, representing three aspects of his music. The delightful "Music for the Theatre," written by the young Copland in the 1920s, bows to the American jazz idiom that was newly thriving in the 1920s era. Not only does the music incorporate jazz ideas, but its instrumentation emulates a jazz band in sound and size. Copland had total artistic freedom "where music should take over to express the emotions of the characters" as he wrote his score for "The Red Pony," a 1949 film about a California ranch boy whose father gives him a pony. Annotator Laurie Shulman comments that "Copland followed the same instincts that served him so well for his American ballets. The music is in his 'folk-song' style, yet all of the themes are original, a fact of which is was very proud." In his "Organ Symphony," Copland commented to his biographer Vivian Perlis, "you hear rhythms that would not have been there if I had not been born and raised in Brooklyn." This is also the symphony that provoked the famous comment from Walter Damrosch - after its premiere in 1925: "...if a gifted young man can write a symphony like this at 23, within five years he will be ready to commit murder!" The famed Nadia Boulanger, who played the organ for the same premiere, found that "the work is so brilliant, so full of music..." The stunning sonic and musical qualities of Copland's Organ Symphony are enhanced by the participation of internationally known British organist Wayne Marshall, who has worked with Maestro Litton on both sides of the Atlantic. Marshall has been featured as solo organist or solo pianist in London's prestigious Prom concerts, with the Cleveland Orchestra, the Hollywood Bowl Orchestra, the Berlin Philharmonic and many others

 
undefined
undefined
undefined
undefined
undefined
undefined
undefined
undefined
undefined
Gwyneth Herbert - All The Ghosts
Ramon Ruiz - Flamenco Havana
Mike Lindup - Conversations with Silence
Fred Simon - Dreamhouse
Earwax Control - 2 Live
Chris Anderson - From the Heart
Antonio Forcione, Neil Stacey - Acoustic Mania - Talking Hands
SCHUBERT, STRAVINSKY, MOZART, The Allegri String Quartet - Arpeggione Sonata // Three Pieces for String Quartet // Three Pieces for Clarinet Solo // Clarinet Quintet in A Major
SCHUBERT, MENDELSSOHN, The Norwegian Chamber Orchestra - Symphony No. 5 in B Flat // Symphony No.4 in A
ClearAudio - Elixir of Sound
ClearAudio - Poziomica - Mini Level Gauge
ClearAudio - Poziomica gramofonowa - Dosenlibelle - Precision Bubble Level
ClearAudio - Clear Contact
ClearAudio - Bearing oil - olej syntetyczny do łożysk gramofonowych
BRAHMS, Erica Morini, Artur Rodzinski, Philharmonic Symphony Orchestra of London - Violin Concerto in D Major, Op. 77
SKROWACZEWSKI, Stanislaw Skrowaczewski, Minnesota Orchestra - Concerto Nicolo for piano left hand and orchestra
CHOPIN, Vlado Perlemuter - Paino Works
BRAHMS, Arthur Rubinstein, Henryk Szeryng - Brahms Violin Sonatas
BACH, Mieczyslaw Horszowski - The Well-Tempered Clavier, Book One
BACH, Mieczyslaw Horszowski - The Well-Tempered Clavier, Book One
Valdimir Horowitz, Gregor Piatigorsky, Rudolf Serkin, Nathan Milstein, Wanda Landowska - Great Musicians in Copenhagen 1932-1934