Logowanie
Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Claire Martin
Take My Heart
- Claire Martin - Take my heart
- 01. Riverman (4:32)
- 02. Take my heart (3:41)
- 03. Only the lonely (2:57)
- 04. Queen Bee (5:27)
- 05. Brilliant trees (5:28)
- 06. Jonah (3:44)
- 07. Help! (4:29)
- 08. Inner city girl (4:40)
- 09. Pleading guilty (4:21)
- 10. I scare myself (4:40)
- 11. Baby plays around (3:04)
- Claire Martin - vocal
Claire Martin's bridge-building between jazz and adult pop is evident on most of her albums, but Take My Heart is arguably the most assured statement of it. Her richly expressive voice is set off by Paul Stacey's imaginative ensemble arrangements, several which incorporate a sympathetically used string section. Noel Gallagher's guest spot on Help may shift some extra copies, but the real achievement of the album lies in her treatment of songs such as Nick Drake's evocative Riverman, a brooding take on Only the Lonely, or the drum-less version of David Sylvain's Brilliant Trees. Don't look for her more swinging mode here, but her seductively honeyed treatments underline her ability to combine genres in satisfying fashion. Jazzwise.
