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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
CHOPIN, Arthur Rubinstein
Ballades & Scherzos
Arthur Rubinstein - The Chopin Collection
01. Ballade #1 in G Minor, OP23 (9:23)
02. Ballade #2 in F, OP38 (6:43)
03. Ballade #3 in Ab, OP47 (7:20)
04. Ballade #4 in F Minor, OP52 (10:49)
05. Scherzo #1 in B Minor, OP20 (9:07)
06. Scherzo #2 in Bb Minor, OP31 (9:47)
07. Scherzo #3 in C# Minor, OP39 (7:17)
08. Scherzo #4 in E, OP54 (10:58)
- Arthur Rubinstein - piano
- CHOPIN
LIVING STEREO - NAJLEPSZE NAGRANIA W DZIEJACH FONOGRAFII!
Two complete Living Stereo LPs on a single disc! These 1959 recordings of his beloved countryman's work represent the immortal Rubinstein's last thoughts on music he had lived with for seven decades. When remastering the original recordings, John Newton and his engineering team used only three of the available six channels (or two when the original recording was two-track) on the SACD disc because that was the vision of the original producers.
