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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
CHOPIN, Bella Davidovich
Ballades and Impromptus
- 1. Ballade No. 1 in G minor, Op. 23 - 09:59
- 2. Ballade No. 2 in F major, Op. 38 - 07:37
- 3. Ballade No. 3 in A flat major, Op. 47 - 07:36
- 4. Ballade No. 4 in F minor, Op. 52 - 11:51
- 5. Impromptu No. 1 in A flat major, Op. 29 - 03:42
- 6. Impromptu No. 2 in F sharp major, Op. 36 - 06:02
- 7. Impromptu No. 3 in G flat major, Op. 51 - 05:42
- 8. Fantasy - Impromptu in C sharp minor, Op. 66 - 04:55
- Łączny czas: 00:57:24
- Bella Davidovich - piano
- CHOPIN
49.00 PLN
CD:
Nr kat.: 8802047Label : Newton Classics
Bela Davidovich emigrated to the United States in 1978, yet it is her Russian training with the great pedagogues Konstantin Igumnov and Yakov Flier that characterises her musicianship and the particular style of her many distinguished Chopin recordings. Her sensitivity to Chopin’s peculiar and seemingly spontaneous sense of line is rivalled by few others. (Newton Classics) “Bella Davidovich gives excellent accounts of (the Impromptus), in line with her interpretations of the Ballades. The simplicity and directness of the A flat major Impromptu is particularly striking, and the whole is beautifully impulsive.” (Gramophone, April 1983) This Jewish virtuoso suffered for decades under the Soviet yoke, before escaping to a brilliant career in America. But there’s nothing showy here: her artistry in Chopin is the most delicately calibrated there ever was. There are hundreds of interpretations of these works on record, but these are my all-time favourite. (Michael Church The Independent, April 2011, Album of the Week)