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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
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Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
CHIHARA, Jean-Louis LeRoux, The Performing Arts Orchestra
Tempest
- Jean-Louis LeRoux - conductor
- The Performing Arts Orchestra - orchestra
- CHIHARA
64.00 PLN
CD:
Nr kat.: RR10Label : Reference Recordings
A Direct to TWO-TRACK Recording!
Review by John Vallier William Shakespeare's The Tempest is an enchanted island tale that focuses on a fledgling romance, the tensions that exist between noble and servant classes, and the often murky distinctions that separate illusion and reality. Completed by Shakespeare in 1611, The Tempest was adapted to into a full-length ballet (of the same name) and performed for the first time on May 13, 1980, by the San Francisco Ballet. American composer Paul Chihara wrote the music for The Tempest ballet by interpreting themes that were originally scored by the 17th century English composer Henry Purcell. Chihara's composition slides in and out a multitude of styles and situations with graceful splendor. From ragtime songs played on clarinets and woodblocks to ominous pronouncements bristling with brass and strings, Chihara manages - despite the CD's thirty-one cuts - to keep his work cohesive and focussed. Performed by The Performing Arts Orchestra under the direction of Jean-Louis LeRoux, this particular rendition of Chihara's work is expertly played without feeling stiff or stilted (something that would have become apparent during the work's more swinging sections). Chihara, who was the San Francisco Ballet's Composer in Residence at the time of the ballet's debut, has truly created a musical score that deserves to be in the same artistic league as Shakespeare's The Tempest.