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Najbardziej analogowe brzmienie na CD - XRCD!
TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Carla Thomas
The Queen Alone
- Carla Thomas - vocal
159.00 PLN
LP-180G 33rpm:
Nr kat.: S718Label : SpeakersCorner
Among all the majestic eminences in the music business, Carla Thomas reigned unmistakably as 'The Queen of Memphis Soul' on the Stax label with its special characteristics. The clear, dry and natural essential sound of this studio recording imparts the down-to-earth flair of the southern town Memphis and its musical tradition. With wonderful contemplation, the Queen begins her performance with a tautly arranged but pleasantly round and melting version of Burt Bacharach?s "Any Day Now". The reflective opening clearly signals that the human voice is of major importance here, no matter whether a restrained pulsating soul number ("Stop Thief") or a metallically ticking groove ("I Take It To My Baby") is on the track list. Even an occasional dip into the violin paint-pot ("I Want To Be Your Baby") is not an end in itself but serves exclusively to refine the diaphanous, gentle voice of the principal singer. In addition there is lush, groovy polyphony with a call-and-response concept ("Somethings Good") and intoxicating gospel-like antiphony ("Lie To Keep Me From Crying"), all good for keeping the soul of Soul together.
